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Monthly Archives: August 2012
10 Questions for Fides Krucker
Fides Krucker is an inter-disciplinary vocalist, a performer, creator and teacher specializing in contemporary vocal repertoire: prolific, versatile & regularly involved in new creations here and abroad. Krucker is known for her performances of Canadian composer R. Murray Schafer’s works … Continue reading
Buzz
At the first COC podcast, we discussed the implications of a post from John Terauds, when he speculated about Toronto audiences. In passing it was observed by one of us (perhaps Wayne Gooding, perhaps John Gilks, perhaps Gianmarco Segato; all … Continue reading
Posted in Essays
2 Comments
10 Questions for Tamara Wilson
Tamara Wilson is a soprano who’s going places, a major talent with the voice to be a star. An alumna of the Houston Grand Opera Studio, Wilson’s awards include the George London Award from the George London Foundation, as well … Continue reading
COC Podcast
The conversation about the arts is as much about the audience as it is about the art. If you’re marketing the question can be one of identification (who’s coming to see/hear) as much as how to find, connect with and … Continue reading
Posted in Essays
Tagged Bayreuth, Canadian Opera Company, Fliegende Hollander, Gianmarco Segato, John Gilks, Wayne Gooding, Yevgeny Nikitin
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Debussy by Design
Today is Debussy’s 150th birthday, the occasion for a recent series of posts about the seminal composer & writer: Unfinished Sympathy (Aug 21) Debussy and the writers (Aug 19) Debussy Sesqui (Aug 16) I’m going to talk about another aspect of the composer … Continue reading
Posted in Essays
Tagged Debussy, Fibonacci, Golden Section, Jardins sous la pluie, Roy Howat
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Unfinished Sympathy
In the Tuesday gatherings of Mallarmé and his followers, poems, plays, or songs might be performed to an appreciative audience. Nobody minded if the work being auditioned was unfinished. A glimpse of a dream could be every bit as powerful. … Continue reading
Posted in Essays
Tagged Catulle Mendès, Debussy, Diane au bois, Edgar Allan Poe, Guilio Gatti-Casazza, La chute de la maison Usher, Le diable dans le beffroi, Pelleas et Melisande, Richard Langham Smith, Rodrigue et Chimene, Schubert, Symbolist, The Devil in the Belfry, The Fall of the House of Usher, unfinished symphony
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Debussy and the writers
Every now and then life gives us a glimpse of hidden meanings. Maybe it’s all in our head, but even so one can’t help wondering. Coincidences can seem like more than mere chance. In the 1990s I spent a few … Continue reading
Posted in Essays
Tagged Arthur Wenk, Axel Crochet, Banville, Claude Debussy, Mallarme, Monsieur Croche, Pierre Louÿs, Verlaine
4 Comments
Debussy Sesqui
“Sesquicentennial” –a word we don’t hear too often –means 150th anniversary. On August 22nd 1862, Claude-Achille Debussy came into the world. In response I’m going to post a few times over the next week in my own personal sesquicentennial commemoration. … Continue reading
Posted in Essays
Tagged Cathedrale Engloutie, Clair de lune, Claude Debussy, En bateau, jeu de vagues
3 Comments
Herheim’s Bayreuth Parsifal
I saw Stefan Herheim’s Parsifal tonight via the miracle of the internet, a complex take on the opera that rewards the serious viewer/listener. I found it here, via links that may not be live much longer. If you want to … Continue reading