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Tag Archives: Das Rheingold
Rheingold in person
While there’s still a controversy about Robert Lepage’s production of Wagner’s Ring Cycle at the Metropolitan Opera because some people don’t like it, it seems to be a success. I was at the Das Rheingold that opened the third cycle, … Continue reading
Posted in Reviews
Tagged Adam Klein, Das Rheingold, Fabio Luisi, James Levine, Metropolitan Opera
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Lepage’s Walküre, or “Welcome to The Machine, part two”
It doesn’t matter how big they are. Whether we’re speaking of fame or stature, every singer in the current Metropolitan Opera productions (both Das Rheingold and Die Walküre) directed by Robert Lepage & his Ex Machina group shares the stage … Continue reading
Posted in Reviews
Tagged Bryn Terfel, Das Rheingold, Die Walkure, Ex Machina, Jonas Kaufmann, Richard Wagner, Robert Lepage, Stephanie Blythe
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Rheingold by Request
A concert performance of Wagner’s Das Rheingold can be many things, but above all, it’s a colossal job. For almost three hours, a group of singers breathes life into Gods, giants, dwarves, and Rhine-maidens, while a pianist impersonates a huge … Continue reading
Posted in Reviews
Tagged Alla Ossipova, Andrew Tees, Das Rheingold, John Holland, Lenard Whiting, Nick Gough, Wagner, William Shookhoff
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Lion Taymor
I knew I was going to use a punny headline of some sort, this was perhaps the least offensive among my options. I saw The Lion King tonight, admittedly years after its opening, and awhile after its first appearance in … Continue reading
Risky performance: when it’s not just a metaphor
Will the new Spiderman musical ever open? It’s been prohibitively expensive to marry Julie Taymor‘s vision to the music of Bono & The Edge. I’ve read estimates of $65 million USD: and counting. One wonders how many years of full … Continue reading
Posted in Essays
Tagged aerial, Berlioz, Bono, carnivalesque, circus, Damnation de Faust, Das Rheingold, erwartung, Ex Machina, Julie Taymor, risky, Robert Lepage, Spider Man: Turn Off the Dark, Spiderman, The Edge, Wagner
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