-
Recent Posts
Archives
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
Categories
Meta
Tags
Allyson McHardy Ambur Braid Beethoven Ben Heppner Benjamin Britten Berlioz Canadian Opera Company Christopher Alden Christopher Mokrzewski Claude Debussy COC Das Rheingold David Fallis Debussy Der Freischütz Giuseppe Verdi Glenn Gould Gluck Handel James Levine Jane Archibald John Adams La Clemenza di Tito Les Troyens Magic Flute Marshall Pynkoski Metropolitan Opera Mozart Opera Atelier Peter Sellars Philip Glass Puccini Richard Strauss Richard Wagner Rigoletto Robert Carsen Robert Lepage Russell Braun Satyagraha Schubert Stewart Goodyear Tafelmusik Tristan und Isolde Verdi Wagner
Tag Archives: Debussy
Debussy by Design
Today is Debussy’s 150th birthday, the occasion for a recent series of posts about the seminal composer & writer: Unfinished Sympathy (Aug 21) Debussy and the writers (Aug 19) Debussy Sesqui (Aug 16) I’m going to talk about another aspect of the composer … Continue reading
Posted in Essays
Tagged Debussy, Fibonacci, Golden Section, Jardins sous la pluie, Roy Howat
Leave a comment
Unfinished Sympathy
In the Tuesday gatherings of Mallarmé and his followers, poems, plays, or songs might be performed to an appreciative audience. Nobody minded if the work being auditioned was unfinished. A glimpse of a dream could be every bit as powerful. … Continue reading
Posted in Essays
Tagged Catulle Mendès, Debussy, Diane au bois, Edgar Allan Poe, Guilio Gatti-Casazza, La chute de la maison Usher, Le diable dans le beffroi, Pelleas et Melisande, Richard Langham Smith, Rodrigue et Chimene, Schubert, Symbolist, The Devil in the Belfry, The Fall of the House of Usher, unfinished symphony
1 Comment
Enigmatic Liszt
There’s more to Franz Liszt than most people realize. If you ask a musicologist they’ll usually rattle off a series of truisms: one of the first great virtuosi for the piano, possibly the greatest pianist in history Wagner’s father-in-law Long-lived … Continue reading
Posted in Essays
Tagged Debussy, Franz Liszt, Liszt Ferenc, Neapolitan Connection, Schumann
Leave a comment
Thank you, Rob Ford
I learned about gratitude in Martin Seligman’s book Authentic Happiness. Dr. Seligman is a key figure in a new kind of psychology, called “Positive Psychology”, positive because it’s oriented not on disorders and dysfunctions, but on happiness. I am not … Continue reading
Posted in Essays
Tagged Alexis Weissenberg, Amour de Loin, Authentic Happiness, Canadian Opera Company, Carl Sagan, Debussy, extra-somatic memory, Fetes, Gustave Samazeuilh, Love From Afar, Martin Seligman, Nocturnes, Nuages, positive psychology, Saariaho, Shchelkunchik, The Dragons of Eden, Trois Movements de Petrouschka
Leave a comment
L’Amour de loin DVD
As the Canada Opera Company’s February production of Kaija Saariaho’s Love From Afar gets closer my curiosity grows. I’ve seen several new operas in my time, both the ones that vanished, and the ones that have stayed in the repertoire. … Continue reading
Posted in Reviews
Tagged Debussy, Gerald Finley, L'Amour de loin, Love From Afar, Peter Sellars, Poulenc, Russell Braun, Saariaho
4 Comments
10 Questions for Christopher Mokrzewski
Canadian pianist Christopher (“Topher”) Mokrzewski is a former member of the Canadian Opera Company Ensemble Studio, participant in the preparation for COC’s recent Rigoletto and Opera Atelier’s 2011 La clemenza di Tito. But he’s also an accomplished soloist & chamber … Continue reading
Pelléas et Mélisande by Request
Last night Opera by Request presented Pelléas et Mélisande in concert. When an opera is given with singers in formal attire accompanied by a pianist, we usually understand that as a compromise. We lose the sounds of the orchestra, the … Continue reading