Category Archives: what’s Leslie Barcza up to

Sabbatical

I’m taking a break from teaching for 2018-2019, while I focus on other projects. In past years I’ve taught introductory film music and opera courses at the School of Continuing Studies.  The blog will continue but for this year I’m … Continue reading

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Film music as lens: another way to study cinema

It’s the same for Episode VIII as in IV, V, VI, as it was in I, II, III and more recently in VII. No this isn’t a spoiler. No I won’t give anything away. I just saw the most recent … Continue reading

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TSO, Reineke and Williams

Roy Thomson Hall was jammed tonight, fans of every age including parents & their children. The programme presented by the Toronto Symphony was a small sampling of the film music of John Williams. There’s no mistaking the interest. In 2016 … Continue reading

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Inter-textual Strauss

Composer Richard Strauss often dropped subtle references to other works into his scores. We’re accustomed to this in poetry, drama or film, where a quote can add depths to our experience, but it’s especially powerful when we recall how abstract … Continue reading

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An Arabella DVD

Every year as I prepare to teach the Most Popular Operas course at University of Toronto’s School of Continuing Studies, I have to adjust the course to include the current season’s repertoire. Fall is in the air, as the nights … Continue reading

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The history of film music = the history of film

A friend of mine asked me to suggest a way to begin studying film music, knowing that I teach a course at the Royal Conservatory called Cinematic Music: How We Hear Film.  The course begins later in March. As a … Continue reading

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Psycho and the art of horror with the Toronto Symphony

For Halloween the Toronto Symphony presented their latest film with a live accompaniment, namely Psycho. A film buff might call it “Hitchcock’s Psycho.“ A film-music buff might prefer “Bernard Herrmann’s Psycho” which is closer to how I see it. Without … Continue reading

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