Monthly Archives: November 2024

Finding out about 3 penny Messiah

Posted on November 30, 2024 by barczablog

Opera by Request and No Strings Theatre are collaborating on their 3 penny Messiah, a smaller scale alternative to what is offered from big groups such as Tafelmusik or the Toronto Symphony, one performance December 7th and a singalong December … Continue reading →

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The other Christmas Oratorio from Tafelmusik

Posted on November 25, 2024 by barczablog

Excuse me for this preamble, pondering Christmas oratorios. Toronto is Messiah town, as musical ensembles large (Toronto Symphony Dec 17-22 at Roy Thomson Hall or Tafelmusik Dec 20 & 21, plus the Singalong December 22nd) or small (Opera by Request … Continue reading →

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Hilarious combat in The Bidding War

Posted on November 21, 2024 by barczablog

The title of The Bidding War isn’t just a metaphor. Michael Ross Albert’s new play has just opened at Crow’s Theatre with a big cast and big laughs. The premise is so simple that it can’t miss. Buyers and agents … Continue reading →

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Fire & Ice: Shostakovich, Sibelius and TSO specialties

Posted on November 18, 2024 by barczablog

When an artist tells you their goals & objectives one should listen. Gustavo Gimeno’s “European Soundscapes” essay in the current Toronto Symphony program gives us some great clues as to what we should expect from the orchestra. No they are … Continue reading →

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Grounded and how we got here

Posted on November 10, 2024 by barczablog

I was disappointed to miss the live High Definition broadcast of Grounded October 19th, seeing the Canadian Opera Company Nabucco. I thought that the main reason I wanted to attend was to see brilliant mezzo-soprano Emily D’Angelo in the lead … Continue reading →

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Stunning serendipity as John Adams Returns

Posted on November 7, 2024 by barczablog

The concert is titled “John Adams Returns”. Toronto Symphony seemed prescient in welcoming the composer this week to conduct a program including some of his own works. It’s uncanny. By the serendipity of the calendar tonight’s concert had a special … Continue reading →

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Faust Adaptations

Posted on November 4, 2024 by barczablog

Today I saw the closing performance of the Canadian Opera Company’s new production of Gounod’s Faust, in a week when it seemed everyone was selling their soul to the devil even without the manifest falsehoods of politicians at election time. … Continue reading →

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