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Tag Archives: Gustavo Gimeno
Gimeno Conducts Messiaen’s Epic Turangalila
Roy Thomson Hall was quite full tonight for the first of two Toronto Symphony concerts undertaking Olivier Messiaen’s Turangalila-Symphonie. But for such an event one wants a full house. The response from the audience was as rapturous as the music … Continue reading
Visions of Spain, Glimpses of Gimeno
This past week’s Toronto Symphony concert offering “Visions of Spain” also gave a few interesting perspectives on their new Spanish-born music director Gustavo Gimeno. After two rather obscure pieces before intermission, we proceeded to three of the most well-known pieces … Continue reading
Gimeno conducts Beethoven 5
Wednesday night was the latest example of the remarkable chemistry we see, hear and feel between the Toronto Symphony and their new music director Gustavo Gimeno, continuing the magic of their 100th anniversary season. Last night’s program included Madrigal: Celebration … Continue reading
Best of 2022
I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading
Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera
Tagged Against the Grain Theatre, Alexander Neef, ARC Ensemble, Arkady Spivak, Canadian Opera Company, CERB, Chris Abraham, Conan and the Stone of Kelior, Corey Arnold, Crow's Theatre, Eldritch Theatre, Elisa Citterio, Eric Woolfe, Gay for Pay, Gould's Wall, Gustavo Gimeno, Joel Ivany, Kyle McDonald, Lauren Pearl, Michael Hidetoshi Mori, Nicole Lizée, OCADU, Perryn Leech, RCM, Royal Conservatory of Music, RUR A Torrent of Light, Simon Wynberg, Sweeney Todd, Tafelmusik, Talk is Free Theatre, Tapestry Opera, The Lion Heart, TIFT, Toronto Symphony Orchestra, TSO, Wajdi Mouawad, Yuja Wang
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Gustavo Gimeno’s First TSO-TMC Messiah
The surest sign the city seems to be returning to something like normal, is Handel’s Messiah performed all over. I’m seeing many friends on Facebook either reporting that they’re singing it or feeling left out because so many others are … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Reviews
Tagged Elliot Madore, George Frideric Handel, Gustavo Gimeno, Jean-Sébastien Vallée, Lauren Fagan, Messiah, Michael Colvin, Roy Thomson Hall, Stephanie Wake-Edwards, Toronto Mendelssohn Choir, Toronto Symphony Orchestra
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Holst’s Neptune and Wagner’s Lohengrin Prelude
I’ve just noticed something concerning Gustav Holst’s Planets suite. You’ve probably heard that Holst did not mean planets in the sense of astronomy but rather to be more of a meditation on the astrological significance of each planet. His seven … Continue reading
Yuja Wang, Magnus Lindberg, Anton Bruckner and the TSO
As we tentatively poke our heads out, looking for signs that normal life has resumed after the pandemic, concerts like tonight’s from the Toronto Symphony affirm relationships & collaboration, the latest in a series of celebratory moments in the orchestra’s … Continue reading
Provocative TSO program: a glimpse of Gimeno
It’s fun getting to know the new music director of the Toronto Symphony, Gustavo Gimeno. I’m excited both by the programming and the performances. Assembling concerts involves a curating process, picking & choosing pieces for performance. Forgive me for repeating … Continue reading
Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera
Tagged 2001: A Space Odyssey, Atmosphères, Charles Baudelaire, Christina Volpini, Claude Debussy, Franz Josef Haydn, Godfather, Gustavo Gimeno, Gyorgy Ligeti, Lohengrin, Ludwig van Beethoven, Richard Wagner, Sarah Polley, Stanley Kubrick, sturm und drang, subito con forza, Toronto Symphony Orchestra, Unsuk Chin, Yefim Bronfman
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Electrifying opener for Gimeno and TSO
Tonight’s concert by the Toronto Symphony was a fitting beginning to their centennial season, a genuinely celebratory evening. The program message from Music Director Gustavo Gimeno is very promising: “The creation of contrast is at the heart of what I … Continue reading
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