Category Archives: Reviews

Drama and lyricism from Scarborough Philharmonic Showpieces

Posted on October 4, 2026 by barczablog

Scarborough Philharmonic opened their 2026-27 season Friday October 2nd with something of a bombshell announcement. SPO’s Artistic Director & Conductor Ronald Royer stood before us, disclosing that he’s fighting cancer. He confidently predicted he would beat it, returning fully next … Continue reading →

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Provocative To a Flame for an audist world

Posted on October 1, 2026 by barczablog

I’ve learned a new word. My new word is “audism“: discrimination or prejudice against deaf individuals. So if someone practising racism is a racist (practicing discrimination around race), I would add the word audist. When I first tried to type … Continue reading →

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Irresistible Traviata from Canadian Opera Company learning the lessons of Avis.

Posted on September 28, 2026 by barczablog

I feel fortunate that I had the privilege of seeing Verdi’s La Traviata today through the eyes of someone discovering the work for the first time, the Canadian Opera Company matinee at the Four Seasons Centre. When I arrived Erika … Continue reading →

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Tafelmusik and Jakob Lehmann introduce us to Sophie Gail, Louise Farrenc and also Beethoven

Posted on September 26, 2026 by barczablog

The Tafelmusik concert I heard Friday night at Koerner Hall makes an interesting chaser to the Toronto Symphony Concert I saw Thursday, my previous lengthy rapturous review. Yes there’s a lot going on in Toronto, and these two concerts on … Continue reading →

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Yuja Wang plays Prokofiev: a study in contrasts to open the Toronto Symphony season

Posted on September 25, 2026 by barczablog

“Yuja Wang Plays Prokofiev” might be the title of the Toronto Symphony’s opening concert of the 2026-27 season Thursday September 24th, but we heard a great deal more last night. Yuja also played four brilliant encores in a breath-taking display … Continue reading →

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Having it both ways with Measure for Measure at Crow’s Theatre

Posted on September 21, 2026 by barczablog

Measure for Measure is one of Shakespeare’s “problem plays”. It straddles genre boundaries, enigmatic & challenging, darkly funny. Yes it’s still considered a comedy even though we hear a lot about executions & life in prison, offering glimpses of a … Continue reading →

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Jennifer King’s suffragist pianism comes to Toronto

Posted on September 15, 2026 by barczablog

I think it’s the first time I was at a concert program like this, consisting entirely of classical music composed by women. To begin English composer Ethel Smyth (1858–1944) greeted us from the stage, introducing each piece that she played … Continue reading →

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Triumphant premiere of new adaptation of A Fine Balance at Crow’s Theatre

Posted on September 10, 2026 by barczablog

I loved it and the audience were vocal in their adoration. In reviewing the September 9th premiere performance of A Fine Balance at Crow’s Theatre, I want to look at what’s so special about Anosh Irani’s new adaptation & the … Continue reading →

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Tyler Seguin’s adaptation of Northanger Abbey premieres at Guild Festival Theatre

Posted on August 10, 2026 by barczablog

There’s a special magic with a new play. When it’s an adaptation of a beloved novel the excitement is greater. Tyler Seguin has adapted Jane Austen’s Northanger Abbey in a production that premiered this weekend at Guild Festival Theatre in … Continue reading →

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Two sides of the same fiddler

Posted on July 22, 2026 by barczablog

Toronto Summer Music showed us a magic trick. William Fedkenheuer played classical violin in the first half of the concert. William on violin and Orion Weiss on piano played a movement of Brahms, then a sonata of Beethoven and a … Continue reading →

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