Category Archives: Reviews

Virtuoso Shunske Sato takes Tafelmusik to the next level with Beethoven & Bologne

Posted on June 1, 2026 by barczablog

Descending the stairs after the final Tafelmusik concert of the season at Koerner Hall, walking slowly behind older audience members, a woman beside me glanced over, eyes glowing, wanting to share her experience. She had to talk. And so we … Continue reading →

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Mandle Philharmonic plays Mahler 2nd

Posted on May 23, 2026 by barczablog

I have to make comparisons. Even the most sympathetic critic observes and then contextualizes, by framing those observations in comparison to others. On Friday May 22nd Mandle Cheung conducted his orchestra, the Mandle Philharmonic, in a performance of Gustav Mahler’s … Continue reading →

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Five composers in two days? If it’s Sunday it must be bel canto romance

Posted on May 19, 2026 by barczablog

I feel like an operatic sausage. I’m stuffed a lot into this post, having jammed too much opera into my head in a brief period of time. Talk about contrast! Saturday was the closing performance of the Lepage Bluebeard-Erwartung double … Continue reading →

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Co-existing worlds of Epic Wagnerian Toronto Symphony

Posted on May 15, 2026 by barczablog

Thursday night the Toronto Symphony showed us they could blend Western & non-Western cultural traditions. When Gustavo Gimeno spoke in his program note of the imminent arrival of thousands from abroad into our city for the FIFA matches, he spoke … Continue reading →

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Witnessing the birth of romanticism with young Werther

Posted on May 10, 2026 by barczablog

Excuse me as I gush. I love the new Canadian Opera Company production of Werther, featuring some of the best singing we’ve heard in years. I want people to come see this opera, so that the COC decides to do … Continue reading →

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Symbolist cicadas probing underneath

Posted on May 8, 2026 by barczablog

If you think the headline is cryptic, you should see the play. I saw the World Premiere of cicadas, a new work that I understand as an elaboration upon a radio play, a Tarragon Theatre and NAC English Theatre Co-Production … Continue reading →

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Best Toronto Symphony concert of the season

Posted on May 1, 2026 by barczablog

So far so good. I knew I was going to like this concert because they were playing pieces I liked. I did not expect this to be the best concert of the season. As we go into the month of … Continue reading →

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The ambiguous virtuosity of La Maupin

Posted on April 30, 2026 by barczablog

La Maupin is the title of a new opera produced on film concerning a mythological person of ambiguous gender who may have existed. The historical figure is so interesting, you’d have to invent someone like this if she were not … Continue reading →

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History captured in Toronto Beach Chorale’s Carmina Burana

Posted on April 28, 2026 by barczablog

My daughter and I joined an overflowing crowd eager to hear Toronto Beach Chorale with Mississauga Chamber Singers and their guests in a jam-packed Kingston Road United Church. The short pieces in the first half of the concert with introductory … Continue reading →

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Tragedy of Hamlet: Prince of Denmark from Shakespeare, Lepage, Côté and Gzowski

Posted on April 26, 2026 by barczablog

The run is so brief as to make this review seem pointless. Friday night I saw the opening of the Tragedy of Hamlet: Prince of Denmark. My blog may be done by Saturday, but anyone seeing a weekend showing already … Continue reading →

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