Monthly Archives: February 2014

Unexpected WWI Cabaret

Posted on February 28, 2014 by barczablog

When I say “World War I” what pops into your head? Mustard gas? Trench warfare: a stalemate in muddy battlefields? In Flanders Fields: a desperately sad poem about honour? A war of attrition? The end of illusions about heroism and … Continue reading →

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Gentle Dafne

Posted on February 26, 2014 by barczablog

The Dafne I refer to is not that of Jacopo Peri from 1598, and considered the first opera (for those who might want to make that kind of statement), but Marco da Gagliano’s 1608 setting, also using Ottavio Rinuccini’s libretto. … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , , , | 5 Comments

Tcherniakov’s Wozzeck

Posted on February 26, 2014 by barczablog

Dmitri Tcherniakov is a brilliant young artist—just approaching his 44th birthday—who designs his own sets & costumes as well as directing his singers.  The DVD I just watched of Alban Berg’s opera Wozzeck was a co-pro. between the Bolshoi Theatre … Continue reading →

Posted in Cinema, video & DVDs, Opera, Reviews | Tagged , , , , , , | 2 Comments

Questions about WWI. (Re)Visions of the Aftermath

Posted on February 23, 2014 by barczablog

WWI. (Re)Visions of the Aftermath, presented this week at Theatre Glendon beginning Wednesday February 26, is an exercise in history & story-telling, both onstage and inter-actively through social media. What was World War I? What impact did it have, perhaps still … Continue reading →

Posted in Dance, theatre & musicals, Interviews | 2 Comments

ATMA Orlando

Posted on February 23, 2014 by barczablog

I’ve been listening to a recording that deserves recognition.  It’s an ATMA Classics recording of Handel’s Orlando.  Is anyone anywhere recording operas anymore?  Perhaps the question sounds a bit silly, but the health of the classical music industry has been … Continue reading →

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Saul

Posted on February 22, 2014 by barczablog

The biblical story of Saul is one of the most psychologically complex stories in the Old Testament.  Young David is a humble shepherd brought to soothe the troubled spirit of King Saul with his harp-playing.  Later David surprises everyone by … Continue reading →

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COC Ballo voices

Posted on February 21, 2014 by barczablog

Back on February 2nd (aka Groundhog Day: when the cowardly little varmints ran back into their little holes) I had a choice.  I could have gone to see the opening of the Canadian Opera Company’s Ballo in maschera, which purported … Continue reading →

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Ronnie Burkett—The Daisy Theatre

Posted on February 20, 2014 by barczablog

If “OuZooooonian” is Ronnie Burkett’s scary word for the dark place of judgment beyond the proscenium in Toronto there’s probably a comparable word in every other city. I am not sure which sort of virtuosity is most impressive. The brilliant … Continue reading →

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L’orchestre d’hommes-orchestres win Glenn Gould Protégé Prize

Posted on February 19, 2014 by barczablog

“Press releases and announcements” are presented verbatim without comment.  Robert Lepage names  L’orchestre d’hommes-orchestres (LODHO) winner of City of Toronto Glenn Gould Protégé Prize  Toronto, ON (February 19, 2014) – Robert Lepage, Laureate of the Tenth Glenn Gould Prize, has … Continue reading →

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Accomplished Don

Posted on February 17, 2014 by barczablog

I think I recall seeing the trailer for Don Jon last summer.  It came & went, and now I’ve caught up with the Don on the small screen via pay per view. I recall having an argument with a director … Continue reading →

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