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Tag Archives: Jonathan Crow
Electrifying opener for Gimeno and TSO
Tonight’s concert by the Toronto Symphony was a fitting beginning to their centennial season, a genuinely celebratory evening. The program message from Music Director Gustavo Gimeno is very promising: “The creation of contrast is at the heart of what I … Continue reading
Beethoven encore with Crow and Chiu
Toronto Summer Music’s 2021 Festival season concludes this weekend. In a year when theatre, opera & classical music have mostly been clinging to a precarious life through online presentations, this year’s festival was certainly a bit different, mixing vimeo links … Continue reading
Crow and Chiu play Beethoven live and in person
The performance is almost incidental to the miracle of live music. Please let me never become blasé, never lose my sense of wonder and gratitude, inured to magic. This is a privilege. I was stunned that not only the Toronto … Continue reading
Kreutzer rather than Bridgetower
2020 was to have been the Beethoven year, the 250th anniversary of the composer’s birth in 1770. But of course the plans for operas, plays or concerts collided with the restrictions imposed by the pandemic. Thank goodness Toronto Summer Music … Continue reading
TSO Thais: via Massenet & Anatole France
The Toronto Symphony concert performance of Thaïs, recently released on Chandos, has me wishing we could see & hear more from Jules Massenet, the opera’s composer. I begin to understand why the late Stuart Hamilton in his time with Opera … Continue reading
Framing the Pollyanna proposition
January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays
Tagged 887, Against the Grain Theatre, Alaina Viau, Amplified Opera, Aria Umezawa, Book of my shames, crystal pite, Dawn Jani Birley, Elisa Citterio, Gustavo Gimeno, Isaiah Bell, Joel Ivany, Johannes Debus, Jonathan Crow, Jonathan Young, Kiviuq Returns, Kopernikus, Laakkuluk Williamson Bathory, Masaaki Suzuki, Musique 3 Femmes, Revisor, Robert Lepage, Rusalka, Sondra Radvanovsky, Tamara Wilson, Teiya Kasahara, The St Matthew Passion, Toronto City Opera, Wajdi Mouawad
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Song of the Earth
I can’t help noticing symmetry in 2019’s Toronto Summer Music and its Beyond Borders theme. The Festival opened July 12th with a concert featuring a Mozart sonata including the famous rondo “alla Turca” and a 20th century song cycle in … Continue reading
Posted in Music and musicology, Reviews
Tagged Arnold Schoenberg, Gemma New, Gustav Mahler, Jonathan Crow, Mario Bahg, Mozart, Rainer Riehn, Rihab Chaieb
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Crow Comes Out
Tonight’s concert at Walter Hall –“Europe and the New World”—in the Toronto Summer Music Festival put artistic director Jonathan Crow into the spotlight. He seems very comfortable there. That’s what I’m getting at with the headline. Our concert was sold … Continue reading
New Orford celebrate their first decade
Two for two. It’s the second night of the 2019 Toronto Summer Music Festival and again it felt like a special event, this time in celebration of the tenth anniversary of the New Orford String quartet. There’s a natural connection … Continue reading
Beyond Borders with Toronto Summer Music
Tonight was the opening concert of Toronto Summer Music, running until August 3rd at multiple venues in Toronto. In this the third year of Jonathan Crow’s tenure as Artistic Director the talent pool seems a bit deeper, suggesting exciting days … Continue reading
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