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Tag Archives: Guillermo Silva-Marin
TOT: Revenge of the Tenors
This afternoon the Toronto Operetta Theatre’s production of Johann Strauss’s Die Fledermaus (or The Bat) opened to a sold-out audience at the St Lawrence Centre. It’s sometimes called “The revenge of the bat” although today I was inclined to think … Continue reading
Pre-Democracy with Lucio Silla
I had an epiphany watching today’s presentation of Lucio Silla from Opera in Concert in the St Lawrence Centre. In my review of the opening night of Hannah Moscovitch’s Post-Democracy (that opened at the Tarragon Theatre last Thursday) I included … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Opera, Politics, Reviews
Tagged Abduction from the Seraglio, Amy Moodie, Daddy Warbucks, Giovanni de Gamerra, Guillermo Silva-Marin, Hannah Moscovitch, Holly Chaplin, Julia MacVicar, La Clemenza di Tito, Lucio Silla, Owen McCausland, Post-Democracy, Robert Cooper, Suzy Smith, Tarragon Theatre, Vania Chan, Voicebox Opera in Concert, Wolfgang Amadeus Mozart
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Orpheus in the Underworld
Toronto Operetta Theatre opened their production of Offenbach’s Orpheus in the Underworld tonight, directed & designed by Guillermo Silva-Marin, and the familiar music conducted by Larry Beckwith. In a month when the opera stages are showing two divas murdered by … Continue reading
TOT: A Waltz Dream
Insights sometimes sneak up on you. I was blind-sided by one today watching the Toronto Operetta Theatre Canadian premiere production of Oscar Straus’ A Waltz Dream at St Lawrence Centre. TOT play an important role offering local artists a place … Continue reading
Posted in Cinema, video & DVDs, Dance, theatre & musicals, Opera, Reviews
Tagged A Waltz Dream, Alexandra Weintraub, Amy Moodie, Andrea Nunez, Brittany Stewart, Derek Bate, Elizabeth Beeler, Gregory Finney, Guillermo Silva-Marin, Karina Bray, Opera in Concert, Oscar Straus, Scott Rumble, Summer Opera Lyric Theatre, The Shop Around the Corner, Toronto Operetta Theatre
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Mind-boggling Mother of Us All
It was excellent, this Canadian premiere of The Mother of Us All, Virgil Thomson’s setting of Gertrude Stein’s poetic libretto. The opera tells us about Susan B Anthony starring Meghan Lindsay in the title role, presented under the auspices of … Continue reading
Posted in Music and musicology, Opera, Reviews
Tagged Alfred Hitchcock, Daniel Webster, Dion Mazerolle, Evan Korbut, Gertrude Stein, Guillermo Silva-Marin, Holly Chaplin, Joshua Clemenger, Kate Carver, Madeline Cooper, Meghan Lindsay, Robert Cooper, Stewart Hamilton, Susan B Anthony, Virgil Thomson, Voicebox Opera in Concert
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Karen Bojti reflects on A Northern Lights Dream
Greetings Barczablog reader, Leslie Barcza was unable to attend the world premiere of Michael Rose’s, A Northern Lights Dream so I asked him for special permission to be a contributor in his absence. Karen BojtiCast member, A Northern Lights Dream … Continue reading
Posted in Dance, theatre & musicals, guest blog, Opera
Tagged Amy Moodie, Christina Raphaelle Haldane, Daniela Agostino, Gregory Finney, Guillermo Silva-Marin, Ian Backstrom, Karen Bojti, Kate Carver, Lauren Pearl, Lilian Brooks, Michael Rose, SOLT, Summer Opera Lyric Theatre, Toronto Operetta Theatre, Voicebox
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Kyle McDonald talks about Conan and Mightier Productions
Kyle McDonald and Mightier Productions premiere a new opera on May 5th, titled Conan and the Stone of Kelior. I asked Kyle a few questions. BB: When I look at your website, I see a commercial venture: (hopefully you recognize … Continue reading
Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, Interviews, Music and musicology, Opera, Popular music & culture
Tagged Alumnae Theatre, Conan, Conan and the Stone of Kelior, Corey Arnold, Diana DiMauro, Fraggle Rock, Geoffrey Davis, Guillermo Silva-Marin, Jim Smagata, Kristi Ann Holt, Kyle McDonald, Mark Rehkopf, Mightier Productions, pasticcio, Robert de Vrij
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Florence: The Lady with The Lamp
Opera in Concert resumed live performance Sunday afternoon with their first of Three Extraordinary Women, namely Florence: the Lady with the Lamp, composed by Timothy Sullivan and with libretto by Anne Mcpherson, an interesting balance between the contemporary and the … Continue reading
Two Voices juxtaposed by Opera in Concert
The one act play La Voix Humaine was written by Jean Cocteau in 1928. The one act opera La Voix Humaine based on that play was composed by Francis Poulenc in 1958. Each one is a monodrama, presented by a … Continue reading
TOT Pinafore
Last night’s HMS Pinafore from Toronto Operetta Theatre was a reminder of what they do best. For some works there is a kind of social contract at work, a simple plan that begins with the music and the words. If … Continue reading
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