Category Archives: Politics

Remembering Larry Earlix

It’s a day for sentimentality.  My mom’s had her birthday, which is of course a wonderful occasion: but I won’t talk about that here as it’s a bit too private for the blog. Yes Virginia there are things I don’t … Continue reading

Posted in Music and musicology, Personal ruminations & essays, Politics, Theatre & musicals, University life | Tagged , , , , , , , , , , , , | Leave a comment

Operatic thought for Canada Day

Is it true that Alexander Neef, General Director of the Canadian Opera Company is headed back to Paris? Today I read Michael Vincent’s news report  via Ludwig-van.com that was a natural segue from the conversation I had with my companion … Continue reading

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Isaiah Bell: The Book of My Shames

Should I have said “The book of HIS shames”? Isaiah Bell’s one-man show is about his shames, right? But no. He is everyman, every-person, and so these are your shames & my shames too. I couldn’t imagine a more apt … Continue reading

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Shanawdithit in Toronto

Who would expect a new opera to affirm the value of the artform? Shanawdithit is a new opera co-produced by Newfoundland’s Opera on the Avalon and Toronto’s Tapestry Opera. There was a workshop a few months ago, a tantalizing glimpse not … Continue reading

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Robert Lepage’s 887 this time

Have you seen Robert Lepage’s 887? This show’s been all over the world. I missed the first Toronto incarnation in 2015 but saw it & raved about  it last time, brought to Toronto via Canadian Stage (one of the co-producers) … Continue reading

Posted in Art, Architecture & Design, Opera, Personal ruminations & essays, Politics, Psychology and perception, Theatre & musicals | Tagged , , , | Leave a comment

Questions for Sky Gilbert: Shakespeare’s Criminal

I’m a great admirer of Sky Gilbert, the playwright, performer, professor, and activist: and I didn’t nearly cover it all. You can read his Guelph university bio here …where they list him as an expert in Canadian theatre, Creative writing, … Continue reading

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887: a quest for redemption for Robert Lepage

There is some irony that Canadian Stage are bringing back Robert Lepage’s 887, both because it’s a powerful piece of theatre that you must see if at all possible, but also as an exploration of memory. Throughout the work Lepage is … Continue reading

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