Monthly Archives: April 2023

Surprising Chevalier

How could I resist seeing Chevalier, the new film about Joseph Bologne? He’s been called the “black Mozart”. He was given the title Chevalier de St Georges by Marie Antoinette, composer of operas, symphonies, a virtuoso violinist and master swordsman. … Continue reading

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Spring Renewal: Scarborough Philharmonic with Ventanas

If it seems as though spring has suddenly come back, thank Scarborough Philharmonic and Ventanas for their concert “Spring Renewal” on April 22nd. The first half featured popular classical pieces. We began with Rossini’s Silken Ladder overture, followed by Vivaldi’s … Continue reading

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Bud Roach’s provocative new recording Affetti Amorosi

Although I listened twice through to Affetti Amorosi, Bud Roach’s new CD of 17th century songs in his light tenor voice accompanying himself on the theorbo, I took a break for holy week as I turned to his other recent … Continue reading

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Philadelphia pairs from Jonathan Demme

We watched Philadelphia (1993) last night for the first time in awhile. I’m just writing this to call attention to a pattern I think I’ve observed in the work of director Jonathan Demme. I haven’t seen all of his films, … Continue reading

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Resurrection Again

Handel’s oratorio The Resurrection received its belated Canadian premiere in Opera Atelier’s production brought to Koerner Hall, an early work long neglected. Although the production had been prepared in 2021 it had to be filmed because in-person performance wasn’t possible … Continue reading

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Worship in a Time of Plague: Capella Intima and the Gallery Players of Niagara

Worship in a Time of Plague is a recording project by Capella Intima and the Gallery Players of Niagara. The title seems especially fitting for Holy Week in 2023, three years into our own pandemic. The scholarly side of the … Continue reading

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Visions of Spain, Glimpses of Gimeno

This past week’s Toronto Symphony concert offering “Visions of Spain” also gave a few interesting perspectives on their new Spanish-born music director Gustavo Gimeno. After two rather obscure pieces before intermission, we proceeded to three of the most well-known pieces … Continue reading

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