Tag Archives: Russell Braun

Egoyan- Lite

Posted on February 24, 2019 by

I had another look at the Canadian Opera Company’s Cosi fan tutte tonight, a production that I enjoyed even more this time in its closing performance. Last time I was content to have so much fun & so many laughs, … Continue reading →

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COC fan tutte

Posted on February 10, 2019 by

Is it really five years ago? Time flies. In January 2014 Atom Egoyan’s production of Mozart’s Cosi fan tutte had its premiere with the Canadian Opera Company.  I looked back at what I wrote and –after having seen the revival … Continue reading →

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Questions for Bruno Roy

Posted on May 18, 2018 by

Time flies. It seems like it was only yesterday that baritone Bruno Roy was a finalist in Centre Stage, the 2015 Ensemble Studio competition. The new voice that we had never heard before? He is now about to make his … Continue reading →

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Ten Questions for Christopher Enns

Posted on January 25, 2013 by

Born in Manitoba, tenor Christopher Enns is in his final season with the Canadian Opera Company Ensemble Studio. He made his COC debut as an American/Glass Maker/Strolling Player in Death in Venice.   Enns was one of the strengths of the … Continue reading →

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Roméo et Juliette 2008

Posted on November 26, 2012 by

I watched TFO’s broadcast of a live performance of Gounod’s Roméo et Juliette, from a 2008 Salzburg production. There was a bit of drama backstage, with Anna Netrebko’s cancellation, replaced by the unknown Georgian soprano Nino Machaidze.  Machaidze was only … Continue reading →

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September Buzz

Posted on September 13, 2012 by

In the circles I share in person or online I am thinking about the question of buzz, to which I alluded recently. I’m excited to be going to a brand-new opera tomorrow night, namely Julie Sits Waiting.  It’s hard for … Continue reading →

Posted in Essays | Tagged , , , , , , , , , | 2 Comments

From Afar

Posted on February 3, 2012 by

The love one encounters in Saariaho’s opera Love from Afar is not at all like the love most people think of when they use the word in the 21st century.  And while the work was composed recently employing very modern … Continue reading →

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