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Tag Archives: Richard Strauss
Gimeno and Moussa: Ligeti, Wagner and Strauss’s Don Quixote
Last night’s brilliant concert at Roy Thomson Hall from the Toronto Symphony was improved by the introductory remarks from Music Director Gustavo Gimeno, explaining his unorthodox choices. The concert may have been titled “R Strauss’s Don Quixote” but Gimeno explained … Continue reading
TSM Metamorphosis
Toronto Summer Music’s theme is the same as the title for last night’s concert, namely “metamorphosis”. I’m writing about it Saturday on the closing weekend of the festival. I’ve been pondering that word over and over in response to the … Continue reading
Posted in Music and musicology, Reviews
Tagged Aaron Schwebel, Carl Lyons, Francis Poulenc, Johannes Brahms, Jonathan Crow, Keith Hamm, Koerner Hall, Michelle Cann, Rémi Pelletier, Richard Strauss, Royal Conservatory of Music, Rudolph Leopold, Sheila Jaffé, Toronto Summer Music, University of Toronto
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Salome returns to tumultuous welcome
The Canadian Opera Company’s co-production of Richard Strauss’s Salome returned last night in the first of seven performances to huge applause. It’s a star vehicle for Ambur Braid in the title role, a wonderful first outing for Michael Schade as … Continue reading
Salome: from Matthew and Mark, through Oscar, Richard and Atom
It can be enjoyable to trace the changes in the way a story is adapted and/or interpreted. Salome begins in the Gospels of Matthew and Mark. Matthew 14:1-11 (NIV)1 At that time Herod the tetrarch heard the reports about Jesus, … Continue reading
Gemma New, Kerson Leong and the TSO: “allez grand ou rentrez chez vous”
Last night I heard the first of the Toronto Symphony’s weekend of romantic works, responding passionately to their guest conductor, the New Zealand-born Gemma New. I noticed her intense display of commitment, yet so respectful of every collaborator in this … Continue reading
Interviewing Mike Fan | 范祖铭 (they) aka Tanya Smania (she): probing Tatyana’s Secret
I’m intrigued by the upcoming production of Tanya’s Secret produced by Opera Queens, an adaptation of Eugene Onegin, a work that seems to invite questions. Mike Fan | 范祖铭 (they) aka Tanya Smania (she) is the artistic director and driving … Continue reading
Posted in Dance, theatre & musicals, Interviews, Opera, Press Releases and Announcements
Tagged Eugene Onegin, Four Last Songs, gender, Mike Fan | 范祖铭 (they) aka Tanya Smania (she), Opera Queens, Pyotr Ilyich Tchaikovky, Queer theory, Richard Strauss, Shakespeare in Love, Sky Gilbert, Tanya's Secret, Titus, William Shakespeare
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Schirmer Serenade: a cure for Sam’s insomnia
Last night Sam the dog went to bed but didn’t close her eyes. It’s disturbing. As you may have read in other recent posts, she’s sick. The liver isn’t working right, an incurable malady whether you’re a human or a … Continue reading
Eight Singers Drinking: and Singing
While eight singers may have been drinking eight drinks at 8:00 pm on November 8th no one ate much of anything. (see what I did there?) At first I just thought it was a fun exercise, an excuse for a … Continue reading
Beyond Borders with Toronto Summer Music
Tonight was the opening concert of Toronto Summer Music, running until August 3rd at multiple venues in Toronto. In this the third year of Jonathan Crow’s tenure as Artistic Director the talent pool seems a bit deeper, suggesting exciting days … Continue reading