Tag Archives: David Fallis

Idomeneo: Marshall Law

The question running through my head as I watched tonight’s opening of Opera Atelier’s Idomeneo at the Ed Mirvish Theatre was: “who is the star?” In this their first performance in a new venue I could say “it’s the space”.  … Continue reading

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Toronto Symphony–Mendelssohn Choir Messiah

Toronto is Messiah town, as I’ve joked before. Handel’s most popular Biblical oratorio is everywhere at this time of year. Tonight I took in the second of six offered this week by the Toronto Symphony, the Toronto Mendelssohn Choir and … Continue reading

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Orfeo and the power of music

David Fallis’s tenure as the Artistic Director of the Toronto Consort ended with today’s final concert performance of Monteverdi’s Orfeo, one of the most elaborate presentations I’ve ever seen from this group. Don’t get me wrong. We were still in … Continue reading

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Questions for David Fallis: Toronto Consort & Monteverdi’s Orfeo

When I interviewed David Fallis five and a half years ago concerning a period production of Der Freischütz my first sentence said that he “is surely one of the most important musical minds in Canada,” an assertion that has only gathered weight with … Continue reading

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Ulysses comes home

Opera Atelier’s Revival of Monteverdi’s The Return of Ulysses (1640) starts slowly but builds to a strong finish.  By intermission I had enjoyed a few moments (Kresimir Spicer in the title role and Mireille Lebel as Penelope, and Meghan Lindsay … Continue reading

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10 questions for Peggy Kriha Dye: Armide

Soprano Peggy Kriha Dye has been one of the keys to Opera Atelier’s successes in Toronto, in the title roles of Armide (Toronto, Versailles, Glimmerglass Festival) and L’Incoronazione di Poppea, as the Countess in The Marriage of Figaro, Ilia in … Continue reading

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Toronto Consort—a new Play of Daniel

I saw something brand-new, from the 12th century. It’s one of the ironies of theatre or music that sometimes recent works give you comparatively little room for invention, every page stipulating how it must be interpreted. If you want real … Continue reading

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