Monthly Archives: January 2020

Scappucci’s show: a Better Barber

The Canadian Opera Company have revived their production of Rossini’s Barber of Seville.  We saw it in 2015, a creation of the Spanish theatre troupe Els Comediants led by the team of director Joan Font & set/costume designer Joan Guillén. … Continue reading

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Kent Monkman: Miss Chief Eagle Testickle’s big New York Adventure

Early in the musical documentary film The Last Waltz we see Ronnie Hawkins coming out onto the stage of the Winterland Ballroom. The music begins to play. Hawkins may be a musical legend but he is nervous, about to sing … Continue reading

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To New York with Gershwin

Sometimes I have a fear of flying. I usually love the takeoff & normally sit by the window but when there’s turbulence I like to distract myself. On a trip to New York what better subject could one find than … Continue reading

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Nukeface or “what are you looking at”?

I’m in New York to see Nukeface, at the Bodega Gallery in New York. More accurately I’m in New York because it’s a chance to see Zoe Barcza, my daughter. It’s exciting to get to see her and to see … Continue reading

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Met HD Wozzeck

They say it’s a co-production, this new Wozzeck that was broadcast in High Definition this past weekend from the Metropolitan Opera: “A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia.” The co-pro of … Continue reading

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Framing the Pollyanna proposition

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading

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