Monthly Archives: January 2020

The Lost Karaoke Tapes

Posted on January 31, 2020 by barczablog

I’m impressed. Nicole Lizée has more reason to be pompous & full of herself than any composer or performer I know. But she seems to be totally unpretentious. Exhibit “A”: the piece we saw & heard tonight is called “Karappo … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Personal ruminations & essays, Popular music & culture, Psychology and perception, Reviews | Tagged , , , , , , , , , , , , , , , | 3 Comments

Money is the root of all opera

Posted on January 26, 2020 by barczablog

You probably didn’t expect that did you? Did you anticipate where that sentence was going? It starts like a truism that we hear so often about money being the root of all evil, which I can relate to heartily. How … Continue reading →

Posted in Music and musicology, Personal ruminations & essays, Politics | Leave a comment

Parenthood, poverty, Hansel & Gretel: a conversation with Joel Ivany

Posted on January 26, 2020 by barczablog

In a few days Joel Ivany, Artistic Director of Against the Grain Theatre, will be premiering his new Hansel and Gretel at the Four Seasons Centre, in a Canadian Opera Company production. Singled out for last year’s Against the Grain … Continue reading →

Posted in Books & Literature, Interviews, Opera | Tagged , , , , , , , , , , , , , , , | 2 Comments

Scappucci’s show: a Better Barber

Posted on January 20, 2020 by barczablog

The Canadian Opera Company have revived their production of Rossini’s Barber of Seville.  We saw it in 2015, a creation of the Spanish theatre troupe Els Comediants led by the team of director Joan Font & set/costume designer Joan Guillén. … Continue reading →

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Kent Monkman: Miss Chief Eagle Testickle’s big New York Adventure

Posted on January 14, 2020 by barczablog

Early in the musical documentary film The Last Waltz we see Ronnie Hawkins coming out onto the stage of the Winterland Ballroom. The music begins to play. Hawkins may be a musical legend but he is nervous, about to sing … Continue reading →

Posted in Art, Architecture & Design, Personal ruminations & essays, Politics | Tagged , , , , , , , , , , , , , | 7 Comments

To New York with Gershwin

Posted on January 14, 2020 by barczablog

Sometimes I have a fear of flying. I usually love the takeoff & normally sit by the window but when there’s turbulence I like to distract myself. On a trip to New York what better subject could one find than … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Popular music & culture, Reviews, University life | Tagged , , , , , , | 1 Comment

Nukeface or “what are you looking at”?

Posted on January 14, 2020 by barczablog

I’m in New York to see Nukeface, at the Bodega Gallery in New York. More accurately I’m in New York because it’s a chance to see Zoe Barcza, my daughter. It’s exciting to get to see her and to see … Continue reading →

Posted in Art, Architecture & Design, Politics, Reviews | Tagged , , , | 2 Comments

Met HD Wozzeck

Posted on January 13, 2020 by barczablog

They say it’s a co-production, this new Wozzeck that was broadcast in High Definition this past weekend from the Metropolitan Opera: “A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia.” The co-pro of … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , , | 1 Comment

Framing the Pollyanna proposition

Posted on January 9, 2020 by barczablog

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment