Tag Archives: Glenn Gould

Beethoven 250: interpreting Sonata #9

Posted on November 14, 2020 by barczablog

There are at least two ways to understand music. We listen. Perhaps you hear a performance on some device such as your smartphone, your TV or a computer, or even in a live setting such as a concert or a … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Sports | Tagged , , , , , , , , | 3 Comments

Oxymoronic Gould Transcriptions

Posted on July 29, 2018 by barczablog

It seems like a lifetime ago, back when Glenn Gould was still alive. I’d first learned of him in my childhood as the one who showed us a new approach to Bach, a famous performer who had then abandoned live … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , | 1 Comment

Glenn Gould: extra hands

Posted on December 11, 2014 by barczablog

Thank you Edward Johnson Building library, once again I found treasure in the collection that never disappoints. I’d grabbed a great mass of scores in anticipation of a couple of gigs, never knowing fully what to play, but wanting to … Continue reading →

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10 questions for Stephen Lord

Posted on December 31, 2013 by barczablog

Identified by Opera News as one of the “25 Most Powerful Names in US Opera”, Stephen Lord is a conductor known for his sensitive handling of singers.  In my review of April’s Canadian Opera Company production of Lucia di Lammermoor … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , , , , , , , , , , , | 15 Comments

Solti Centennial

Posted on October 19, 2012 by barczablog

The centennial of Hungarian conductor Georg Solti arrives on October 21st.  As a Hungarian I always found it irritating that he called himself “Georg” rather than “György”.  But of course whenever I say that name aloud –and unless you’re Magyar … Continue reading →

Posted in Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , | 2 Comments

Ten Questions for Alex Pauk

Posted on October 2, 2012 by barczablog

Alex Pauk is an artistic activist, a composer, a conductor, driving force behind many commissions for other Canadian composers,  and the Founding Music Director & Conductor of the Esprit Orchestra, an ensemble embarking upon their 30th Anniversary Season with a … Continue reading →

Posted in Interviews | Tagged , , , , , , , , | 2 Comments

Gould Burg

Posted on September 26, 2012 by barczablog

Today and this week, we celebrate the 80th birthday of a famous Canadian.  If Toronto is Glenn Gould’s city we live in “Gould burg”.  In the Beaches there’s a plaque not far from his high school reminding us of his … Continue reading →

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Genius Within

Posted on July 27, 2012 by barczablog

After spending so much of the past few weeks thinking about virtuosity –both in my academic research and in the music I have been listening to—I was more than ready to see a documentary studying the quintessential Canadian musician, Glenn … Continue reading →

Posted in Reviews | Tagged , , , , | 2 Comments

Two Iconoclasts

Posted on July 4, 2012 by barczablog

Canada became a country July 1st 1867: one hundred forty-five years ago.  July 1st is a day to count one’s blessings, to celebrate a compassionate and gentle country, a haven for so many wonderful people, among them great artists. I’m … Continue reading →

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10 Questions for Christopher Mokrzewski

Posted on November 29, 2011 by barczablog

Canadian pianist Christopher (“Topher”) Mokrzewski is a former member of the Canadian Opera Company Ensemble Studio, participant in the preparation for COC’s recent Rigoletto and Opera Atelier’s 2011 La clemenza di Tito. But he’s also an accomplished soloist & chamber … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , , , | 1 Comment