Tag Archives: Glenn Gould

Colin Eatock’s Birthday concert

Posted on February 21, 2023 by barczablog

No there was no cake or champagne but I’m watching my weight and can’t drive home to Scarborough if I’ve been drinking. Yet it was truly like a party, a celebration of our host Colin Eatock on the occasion of … Continue reading →

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Questions for Colin Eatock at 65

Posted on February 6, 2023 by barczablog

The invitation from Colin Eatock caught my eye: “I’m organizing a concert in Toronto on February 20 (my 65th birthday).The programme will include a new piece by me.Admission is by donation — I hope you can make it!” We’ve seen … Continue reading →

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Competing icons at the RCM: Gould, Liszt and others

Posted on August 10, 2022 by barczablog

It’s a branding exercise to give a building a name. Roy Thomson has his hall. Both Rogers and Four Seasons have Centres. They already have The Glenn Gould School in the Royal Conservatory of Music. So why not also give … Continue reading →

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Gould’s Wall

Posted on August 6, 2022 by barczablog

Tapestry Opera have premiered Brian Current’s new site-specific work Gould’s Wall, an event that adds another layer to the association between the Royal Conservatory of Music and one of their most distinguished alumni Glenn Gould. I like it more than … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | 1 Comment

Immortal Glenn Gould

Posted on July 29, 2022 by barczablog

I want to write something about Glenn Gould. Who is he, what is his legacy in 2022? I’m thinking about what GG means to me as I anticipate Tapestry Opera’s premiere of Gould’s Wall, a new site-specific opera opening August … Continue reading →

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Beethoven 250: interpreting Sonata #9

Posted on November 14, 2020 by barczablog

There are at least two ways to understand music. We listen. Perhaps you hear a performance on some device such as your smartphone, your TV or a computer, or even in a live setting such as a concert or a … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Sports | Tagged , , , , , , , , | 5 Comments

Oxymoronic Gould Transcriptions

Posted on July 29, 2018 by barczablog

It seems like a lifetime ago, back when Glenn Gould was still alive. I’d first learned of him in my childhood as the one who showed us a new approach to Bach, a famous performer who had then abandoned live … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , | 2 Comments

Glenn Gould: extra hands

Posted on December 11, 2014 by barczablog

Thank you Edward Johnson Building library, once again I found treasure in the collection that never disappoints. I’d grabbed a great mass of scores in anticipation of a couple of gigs, never knowing fully what to play, but wanting to … Continue reading →

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10 questions for Stephen Lord

Posted on December 31, 2013 by barczablog

Identified by Opera News as one of the “25 Most Powerful Names in US Opera”, Stephen Lord is a conductor known for his sensitive handling of singers.  In my review of April’s Canadian Opera Company production of Lucia di Lammermoor … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , , , , , , , , , , , | 15 Comments

Solti Centennial

Posted on October 19, 2012 by barczablog

The centennial of Hungarian conductor Georg Solti arrives on October 21st.  As a Hungarian I always found it irritating that he called himself “Georg” rather than “György”.  But of course whenever I say that name aloud –and unless you’re Magyar … Continue reading →

Posted in Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , | 2 Comments