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Tag Archives: University of Toronto
Beethoven 250: recalling Brian Macdonald’s Diabelli Variations
As I reminisce about a piece choreographed by Brian Macdonald I hope I can be forgiven for seguing into remembrance of the man, who is known for many things. You probably saw one of the musicals he directed at Stratford, … Continue reading
Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, University life
Tagged Anton Kuerti, Brian Macdonald, Canadian Opera Company, Diabelli Variations, FOOT, Les Grands Ballets Canadiens, Ludwig van Beethoven, madama butterfly, Trinity College, University of Toronto
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Brand new sound: a moving experience
I stumbled upon something quite by accident and want to share the good news. No I can’t take credit. We’re fixing some old windows, and needed to work with the contractor, who was blocked off by the way the furniture … Continue reading
Neighbourhood impacts
I was looking in the Canadian Opera Company’s latest publication, a shiny offering that arrived in the mail less than an hour ago, with the title “Audience Impact Report.” Speaking of impacts the mailing included the obligatory return envelope & … Continue reading
Walking the University of Toronto Campus Guide
I shouldn’t have needed a book to wake me up to the nuances & subtleties of my many connections to the University of Toronto. But it’s a bit like a family album, these beautiful pictures of loved ones to remind … Continue reading
The view from here: perspectives on careers in music & the arts from Margarete von Vaight
An interview with Margarete von Vaight Careers in the arts were always a risky proposition. Right now as companies push the pause button on their seasons there’s extra cause for concern. Can those organizations come back? And what happens to … Continue reading
Disturbance in the Force: a Natural Experiment with Audiences
With all the performers, musicians, artists social distancing at home, you might think that this is an opportunity, that they’d be busy singing, strumming, painting…. All that time to create, right? Yet it’s not what I hear on social media. … Continue reading
Posted in Books & Literature, Cinema, video & DVDs, Essays, Music and musicology, Opera, Personal ruminations & essays, Psychology and perception, University life
Tagged corpus callosum, COVID-19, Keir Elam, Natural Experiment, Obi Wan, Psychology 100, Semiotics of Theatre and Drama, University of Toronto
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Grainger’s rambling approach to popularity
There was a thread on social media not so long ago about music that gives you the shivers. It seemed like a fun topic, when I was walking along in nasty cold weather, to be able to shiver from a … Continue reading
Posted in Music and musicology, Personal ruminations & essays, Popular music & culture
Tagged A Bridal Lullaby, Blithe Bells, Cakewalk Smasher, Der Rosenkavalier, Edward Johnson Building Library, Handel in the Strand, Howard's End, In Dahomey, JS Bach, Marc-André Hamelin, Percy Grainger, Richard Strauss, Schott Virtuoso Transcription Series, Sheep May Safely Graze, University of Toronto
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10 Questions for Joel Ivany
Joel Ivany’s career seems to be taking off. His work with Against the Grain Theatre here in Toronto is impressive enough, but in addition he directed the recent World premiere of Gavin Bryars chamber opera Marilyn Forever with the Aventa … Continue reading
Posted in Dance, theatre & musicals, Interviews, Opera
Tagged Against the Grain Theatre, Albert Herring, AtG, Aventa Ensemble, Christopher Mokrzewski, Debussy, Edmonton Opera, Figaro's Wedding, Gavin Bryars, Joel Ivany, Korngold, Le Nozze di Figaro, Les Contes D’Hoffmann, Macbeth, Marilyn Forever, Messiah, Minnesota Opera, Miriam Khalil, Nabucco, Pelleas et Melisande, Robert Carsen, Royal Conservatory of Music, The Rape of Lucretia, The Silent Serenade, University of Toronto, Verdi, Western University
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