Tag Archives: Tapestry Opera

Multidimensional Michael Patrick Albano: an interview

Posted on May 20, 2026 by barczablog

Michael Patrick Albano is Associate Professor Emeritus with the Faculty of Music, University of Toronto, where you can see his bio and this photo: but that only tells you part of the story. Michael is resident Stage Director of the … Continue reading →

Posted in Interviews, Opera, University life | Tagged , , , , , , , , , , , , | 2 Comments

Tapestry Opera and Toronto Symphony Orchestra Announce Groundbreaking Masterclass for Emerging Star Conductors at Roy Thomson Hall

Posted on April 30, 2026 by barczablog

TORONTO, ON – Continuing their long-standing relationship, Tapestry Opera and the Toronto Symphony Orchestra (TSO) join forces for a masterclass on Saturday, May 16, 2026, dedicated to the next generation of women and non-binary conductors and music directors in Canada. … Continue reading →

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The ambiguous virtuosity of La Maupin

Posted on April 30, 2026 by barczablog

La Maupin is the title of a new opera produced on film concerning a mythological person of ambiguous gender who may have existed. The historical figure is so interesting, you’d have to invent someone like this if she were not … Continue reading →

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Tapestry Briefs: under where?

Posted on October 17, 2025 by barczablog

I had my first look at the Nancy & Ed Jackman Performance Centre on Yonge St Thursday night with the first of Tapestry Opera’s experimental programs, titled “Tapestry Briefs: under where?” Cute title, right? I was in the audience for … Continue reading →

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Glorious Of the Sea

Posted on March 26, 2023 by barczablog

Of the Sea opened tonight to tumultuous applause from the Bluma Appel Theatre crowd, a co-production of Obsidian Theatre & Tapestry Opera. Kanika Ambrose (libretto) and Ian Cusson (music) have collaborated to bring a beautiful myth to life. I heard … Continue reading →

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Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

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Gould’s Wall

Posted on August 6, 2022 by barczablog

Tapestry Opera have premiered Brian Current’s new site-specific work Gould’s Wall, an event that adds another layer to the association between the Royal Conservatory of Music and one of their most distinguished alumni Glenn Gould. I like it more than … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | 1 Comment

Immortal Glenn Gould

Posted on July 29, 2022 by barczablog

I want to write something about Glenn Gould. Who is he, what is his legacy in 2022? I’m thinking about what GG means to me as I anticipate Tapestry Opera’s premiere of Gould’s Wall, a new site-specific opera opening August … Continue reading →

Posted in Art, Architecture & Design, Books & Literature, Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , , , , , , , | Leave a comment

RUR A Torrent of Ideas

Posted on May 29, 2022 by barczablog

Tapestry Opera and OCAD University have a new site-specific opera on display. I chose the verb carefully given that many think of the medium as something one hears, when its tradition has often been one of spectacle, design, the Deus … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , | 1 Comment

Jacqueline

Posted on February 20, 2020 by barczablog

Tonight a rapturous audience welcomed the world premiere of Jacqueline, a new opera from Tapestry Opera at the Betty Oliphant Theatre. It’s a deceptively simple piece exploring the relationship of cellist Jacqueline du Pré and her instrument. She was a … Continue reading →

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