Category Archives: Music and musicology

Mandle Philharmonic plays Mahler 2nd

Posted on May 23, 2026 by barczablog

I have to make comparisons. Even the most sympathetic critic observes and then contextualizes, by framing those observations in comparison to others. On Friday May 22nd Mandle Cheung conducted his orchestra, the Mandle Philharmonic, in a performance of Gustav Mahler’s … Continue reading →

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Co-existing worlds of Epic Wagnerian Toronto Symphony

Posted on May 15, 2026 by barczablog

Thursday night the Toronto Symphony showed us they could blend Western & non-Western cultural traditions. When Gustavo Gimeno spoke in his program note of the imminent arrival of thousands from abroad into our city for the FIFA matches, he spoke … Continue reading →

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Best Toronto Symphony concert of the season

Posted on May 1, 2026 by barczablog

So far so good. I knew I was going to like this concert because they were playing pieces I liked. I did not expect this to be the best concert of the season. As we go into the month of … Continue reading →

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Tapestry Opera and Toronto Symphony Orchestra Announce Groundbreaking Masterclass for Emerging Star Conductors at Roy Thomson Hall

Posted on April 30, 2026 by barczablog

TORONTO, ON – Continuing their long-standing relationship, Tapestry Opera and the Toronto Symphony Orchestra (TSO) join forces for a masterclass on Saturday, May 16, 2026, dedicated to the next generation of women and non-binary conductors and music directors in Canada. … Continue reading →

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History captured in Toronto Beach Chorale’s Carmina Burana

Posted on April 28, 2026 by barczablog

My daughter and I joined an overflowing crowd eager to hear Toronto Beach Chorale with Mississauga Chamber Singers and their guests in a jam-packed Kingston Road United Church. The short pieces in the first half of the concert with introductory … Continue reading →

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She Holds up the Stars from Red Sky & Toronto Symphony

Posted on April 20, 2026 by barczablog

In a week of adaptations, the trip to Roy Thomson Hall to see & hear the world premiere of She Holds Up the Stars from the Toronto Symphony & Red Sky Performance on Sunday April 19th was a fabulous case … Continue reading →

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Toronto Symphony play Béla Bartók’s Miraculous Mandarin

Posted on April 12, 2026 by barczablog

Toronto Symphony recently released their third Harmonia Mundi live recording, captured from performances 21-23 November 2024 at Roy Thomson Hall, featuring two works by Béla Bartók (1881-1945) plus a piece by Canadian Emilie Cecilia LeBel. Roy Thomson Hall’s acoustics seem … Continue reading →

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Tafelmusik present Influencers without shoehorns or pigeonholes

Posted on April 11, 2026 by barczablog

Influencers is the anachronistic title for Tafelmusik’s concert program this week at Jeanne Lamon Hall. I’m reminded of the way Richard Strauss put Viennese waltzes into Der Rosenkavalier, a modern dance-form that didn’t really fit the time of the story, … Continue reading →

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Room of Keys with David James Brock and Adam Sherkin playing Béla Bartók

Posted on April 10, 2026 by barczablog

Room of Keys is a sort of sacred mystery play. I don’t throw that M word out there in the spirit of a whodunnit so much as the old sacred pre-Shakespearean plays that would stage a small Biblical episode. No … Continue reading →

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Anticipating David James Brock’s upcoming Room of Keys: an interview

Posted on April 2, 2026 by barczablog

Room of Keys is David James Brock’s one act play, created with Adam Sherkin of Piano Lunaire, inspired by Béla Bartók’s Bluebeard’s Castle (1918). It’s natural that a mysterious symbolist play invites exploration. As with the piano paraphrases of La … Continue reading →

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