Monthly Archives: February 2016

Going Home Star: against Babel

I’ve been listening to Christos Hatzis’ score for the Royal Winnipeg Ballet’s Going Home Star and by that I mean that it’s constantly playing in my car over the past week. I saw the ballet earlier this month, a creation … Continue reading

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Questions for James Ledger: Anton Webern and John Lennon come together

When I go to James Ledger’s website his bio begins with “The orchestral music of James Ledger is well known to Australian concert-goers:” which sounds like an admonition to this Canadian, who doesn’t yet know his work. Ledger interests me as a … Continue reading

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Toronto Symphony and the music of change

I will eventually talk about the music performed at tonight’s Toronto Symphony Concert at Roy Thomson Hall but I must first observe a few things that were different. At intermission I met two guys from Richmond Hill named Michael. Yes, … Continue reading

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April Fundraising Concert

From Vasilisa Atanackovic: ******* I am having a fundraising concert on Saturday, April 2 to raise money for my performance journeys in Italy through to New York. I have been given the lead roles in two musical productions in Sicily this summer with … Continue reading

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I Am Not An Answer at Cooper Cole Gallery

I suppose it depends on the question… If you were asking “what is art” you could find at least a couple of ways to answer that question at Cooper Cole Gallery. Art is a calling. It’s a business. It offers … Continue reading

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Gábor Maté: When the Body Says No

Dr Gábor Maté keeps turning up in my life. I just published a review of betroffenheit, a hybrid dance-theatre piece at CanStage, a co-production of Kidd Pivot and Electric Company Theatre, and there at the end I mentioned a PTSD … Continue reading

Posted in Books & Literature, Personal ruminations, Psychology and perception | Leave a comment

Last tango in Siviglia

There’s a curious mix of adventure and nostalgia that goes with the annual Canadian Opera Company’s Ensemble Studio performance of one of the season’s operas. After having seen a production with a cast of seasoned professionals, each year we get … Continue reading

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