-
Recent Posts
Archives
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
Categories
- Animals, domestic & wild
- Art
- Art, Architecture & Design
- Books & Literature
- Cinema
- Cinema, video & DVDs
- Essays
- Film Music Course
- Food & Nutrition
- Music and musicology
- Opera
- Opera Course
- Personal ruminations
- Politics
- Popular music & culture
- Press Releases and Announcements
- Psychology and perception
- Questions, Questions
- Reviews
- Spirituality & Religion
- Sports
- Theatre & musicals
- university life
- video & DVDs
- what's Leslie Barcza up to
Meta
- Against the Grain Theatre Aleksandar Lukac Alexander Neef Allyson McHardy Ambur Braid Armide Beethoven Ben Heppner Benjamin Britten Berlioz Canadian Opera Company Canadian Stage Carla Huhtanen Christopher Alden Christopher Mokrzewski Claude Debussy COC Das Rheingold David Fallis Der Freischütz Francis Poulenc Franz Liszt Franz Schubert Giacomo Puccini Giuseppe Verdi Glenn Gould Gluck Handel Il Trovatore Ivars Taurins Jacqueline Woodley James Levine Jane Archibald Jeannette Lajeunesse Zingg Joel Ivany Johannes Debus John Adams Krisztina Szabo La Clemenza di Tito Les Troyens Linda Hutcheon Liszt Ludwig van Beethoven Magic Flute Marshall Pynkoski Messiah Metropolitan Opera Mozart opera Opera Atelier Pelleas et Melisande Peter Oundjian Peter Sellars Philip Glass Phillip Addis Puccini Richard Strauss Richard Wagner Rick Sacks Rigoletto Robert Carsen Robert Lepage Russell Braun Schubert Schumann Simone Osborne Stewart Goodyear Tafelmusik Tafelmusik Baroque Orchestra Talk is Free Theatre Toronto Symphony Orchestra Tristan und Isolde Verdi Wagner Wallis Giunta
Category Archives: Psychology and perception
Dr Ryhana Dawood’s Martial Smarts: FIGHT LIKE A GIRL
The words on the poster caught my eye. “FIGHT LIKE A GIRL”, all in capitals. When I inquired further I discovered Martial Smarts and then its founder Dr Ryhana Dawood: a strong advocate for women’s health and female empowerment through self-defense. … Continue reading
Two different takes on Bach: Busoni vs Brahms
Anthologies tend to be a mixed bag. I’m quite partial to a Schirmer collection of 26 Bach piano transcriptions by an assortment of great composers. It has its strengths and weaknesses. I am not particularly inspired by what Saint-Saëns did … Continue reading
CBD, part the second
After writing two pieces last night (one about the AGO, one about a trip to a dispensary to get CBD), I decided to take one of the pills, a gel capsule containing cannabidiol (aka CBD). Please note, this is just … Continue reading
CBD, part the first
A loving family member cajoled me to try something new today. My chief pain management strategy for dealing with my arthritic symptoms could be summed up (before tonight) with the following quote: “Denial ain’t just a river in Egypt. It’s … Continue reading
Going Home Star: against Babel
I’ve been listening to Christos Hatzis’ score for the Royal Winnipeg Ballet’s Going Home Star and by that I mean that it’s constantly playing in my car over the past week. I saw the ballet earlier this month, a creation … Continue reading
Gábor Maté: When the Body Says No
Dr Gábor Maté keeps turning up in my life. I just published a review of betroffenheit, a hybrid dance-theatre piece at CanStage, a co-production of Kidd Pivot and Electric Company Theatre, and there at the end I mentioned a PTSD … Continue reading
2 Natural experiments with audience
Every performance is an experiment, or so said Joyce Wilkinson, a wonderful professor I encountered at OISE a number of years ago. Performance is a kind of proposition (and you can take that both ways). When you think about that, … Continue reading
