Category Archives: Psychology and perception

AMPLIFIED OPERA @ birth: The Way I See It 

I was among the audience present at the Ernest Balmer Studio for the birth of Amplified Opera, the brain-child of Teiya Kasahara & Aria Umezawa, in the first of three different programs to launch a new opera company. Directed by … Continue reading

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Not quite forgotten: Liszt’s Valses oubliées

The composer centennials & bicentennials may be artificial stimuli to research, but the effect is real. Knowing that everyone is suddenly focusing upon a particular period seems to inspire all sorts of interesting studies, conferences where people share their research … Continue reading

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The miraculous simplicity of Hearing Beethoven

I’m very grateful for the serendipity that led to Robin Wallace’s book even if the fate governing its creation is cruel indeed. A shy and short-sighted musicologist named Robin married a nurse named Barbara. She was losing her hearing.  I … Continue reading

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Robert Lepage’s 887 this time

Have you seen Robert Lepage’s 887? This show’s been all over the world. I missed the first Toronto incarnation in 2015 but saw it & raved about  it last time, brought to Toronto via Canadian Stage (one of the co-producers) … Continue reading

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Evolving past jealousy in opera

I was thinking about jealousy today.  It’s funny how sometimes a word can come up over and over again. I confessed to some envy in my last review, admiring the way Stephen Walsh wrote about Debussy.  I don’t know if … Continue reading

Posted in Cinema, video & DVDs, Opera, Personal ruminations & essays, Politics, Psychology and perception | 1 Comment

Vitals

Whenever I see a new theatre piece, whether spoken or musical, I’m juggling a few balls, responding to the work that was composed / written the interpretation / direction of that piece the performances / acting in the piece Whatever … Continue reading

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Circa Humans

Tonight I saw Humans by the Circa Ensemble a visiting troupe from Australia. I read the following brief preamble from Yaron Lifschitz, the Artistic Director of Circa.  While it was poignant before the show, it was positively illuminating to re-read … Continue reading

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