Tag Archives: Alexander Neef

Excited by Canadian Opera Company 2023-24 season announcement

Posted on February 26, 2023 by barczablog

When I saw the email on Thursday from the Canadian Opera Company announcing their 2023-2024 season it moved me to say this on Facebook: That’s more like it! COC’s 2023-24 season: Fidelio, La Boheme, Cunning Little Vixen, Don Pasquale, Don … Continue reading →

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Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Perryn Leech comes to the COC

Posted on April 28, 2021 by barczablog

I am disoriented. The end of April? Time for taxes, to plant & nurture the garden. And to renew my subscription to the Canadian Opera Company before the end of the month. But it’s so weird. Normally their new season … Continue reading →

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Yes we can

Posted on October 2, 2020 by barczablog

Is he really gone? Alexander Neef may be in Europe with the Paris Opera but it was already a promiscuous relationship, this General Directorship of the COC. Neef was working for his Toronto audience while at the same time taking … Continue reading →

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An agnostic musing about leadership & talent

Posted on July 22, 2020 by barczablog

As I was tidying my office today, I fell into a book. You know how it is. You open it and are seduced or abducted, suddenly lost to yourself, deep in the book. While Jim Fisher’s The Thoughtful Leader: A … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Psychology and perception, University life | Tagged , , , , , | Leave a comment

Whither Canadian Opera Company: after Neef

Posted on June 11, 2020 by barczablog

Did you know? The first ever Monty Python episode was titled Whither Canada. I suspect it’s a title meant to invoke the sort of bland but innocent British documentary we see here in Canada as “Hinterland Who’s Who” or “Heritage … Continue reading →

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Not #MeToo

Posted on February 14, 2020 by barczablog

I’m upset. It’s not that I’m having a bad day. I just keep hearing news that’s upsetting. Two very different women I knew, each an avatar of female strength, have passed away. I met each of them, knew them very … Continue reading →

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TBA

Posted on February 7, 2020 by barczablog

On Monday February 10th the Canadian Opera Company will tell us what they’re producing next season aka  their “Season Reveal” aka #2021COC.  It’s a celebratory moment, and can feel a bit like Christmas morning as we unpack the goodies, for those of … Continue reading →

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Parenthood, poverty, Hansel & Gretel: a conversation with Joel Ivany

Posted on January 26, 2020 by barczablog

In a few days Joel Ivany, Artistic Director of Against the Grain Theatre, will be premiering his new Hansel and Gretel at the Four Seasons Centre, in a Canadian Opera Company production. Singled out for last year’s Against the Grain … Continue reading →

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Robert Wilson and Turandot

Posted on September 8, 2019 by barczablog

I’ve been reading a bit about Robert Wilson in anticipation of the new Canadian Opera Company Turandot that is to launch the 2019-2020 season at the Four Seasons Centre, a co-production with Teatro Real & Lithuanian National Opera. Online pictures … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Essays, Music and musicology, Opera, Personal ruminations & essays | Tagged , , , , , , , , , , , | 1 Comment