-
Recent Posts
Subjects
- Animals, domestic & wild
- Art, Architecture & Design
- Books & Literature
- Cinema, video & DVDs
- Essays
- Food & Nutrition
- Interviews
- Music and musicology
- Opera
- Personal ruminations & essays
- Politics
- Popular music & culture
- Press Releases and Announcements
- Psychology and perception
- Reviews
- Spirituality & Religion
- Sports
- Theatre & musicals
- University life
- Against the Grain Theatre
- Aleksandar Lukac
- Alexander Neef
- Allyson McHardy
- Ambur Braid
- Aria Umezawa
- Barbara Hannigan
- Beethoven
- Ben Heppner
- Benjamin Britten
- Berlioz
- Canadian Opera Company
- Canadian Stage
- Carla Huhtanen
- Christopher Alden
- Christopher Mokrzewski
- Claude Debussy
- COC
- Colin Ainsworth
- David Fallis
- Debussy
- Four Seasons Centre
- Francis Poulenc
- Franz Liszt
- Franz Schubert
- Giacomo Puccini
- Giuseppe Verdi
- Glenn Gould
- Gustav Mahler
- Handel
- Hector Berlioz
- Ivars Taurins
- Jane Archibald
- Jeannette Lajeunesse Zingg
- Joel Ivany
- Johannes Debus
- John Adams
- Jonathan Crow
- Koerner Hall
- Krisztina Szabo
- La Clemenza di Tito
- Les Troyens
- Linda Hutcheon
- Ludwig van Beethoven
- Marshall Pynkoski
- Meghan Lindsay
- Messiah
- Metropolitan Opera
- Mireille Asselin
- Mozart
- opera
- Opera Atelier
- Parsifal
- Pelleas et Melisande
- Peter Oundjian
- Philip Glass
- Phillip Addis
- Puccini
- Richard Strauss
- Richard Wagner
- Rigoletto
- Robert Carsen
- Robert Lepage
- Rufus Wainwright
- Russell Braun
- Schubert
- Sondra Radvanovsky
- Stewart Goodyear
- Tafelmusik Baroque Orchestra
- Tapestry Opera
- Toronto Summer Music
- Toronto Symphony Orchestra
- Tristan und Isolde
- Wagner
- Wolfgang Amadeus Mozart
Archives
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
Meta
Category Archives: Interviews
Questions about Melancholiac: the Music of Scott Walker
Long ago I stumbled upon Scott Walker, via a cassette with the hand-written inscription The Godlike Genius of Scott Walker. I remember wondering: is this for real? What may have been at least part ironic self-mockery was upon closer inspection … Continue reading
Amplified Opera: interviewing Teiya Kasahara and Aria Umezawa
I have huge admiration for the two artists behind Amplified Opera (aka AO), namely Aria Umezawa and Teiya Kasahara, a new opera company. Aria directed L’hiver attend beaucoup de moi in March. Teiya was larger than life singing in Pomegranate in … Continue reading
Posted in Interviews, Music and musicology, Opera, Politics
Tagged Amplified Opera, Andrea Donaldson, Aria Umezawa, Ernest Balmer Studio, Kenneth Overton, Laurie Rubin, Liz Upchurch, Michael Mohammed, Rich Coburn, Teiya Kasahara, The Queen in Me, The Way I see it, Trevor Chartrand, What's Known to Me is Endless
2 Comments
Questions for Dahlia Katz
Dahlia Katz is the Artistic Director of Solar Stage, a director/dramaturg with a lifetime interest in puppets, and a photographer. If I exclude those who get written up in reviews (the actors-musicians-directors etc) Dahlia Katz may have appeared in my … Continue reading
Questions for Molly Reisman
The official bio says that Molly Reisman is a Canadian writer, producer and performer who is endlessly curious about how humans connect, empathize and interact with the world around them, that Molly is a graduate of NYU Tisch’s MFA Graduate … Continue reading
Posted in Animals, domestic & wild, Interviews, Music and musicology, Popular music & culture, Theatre & musicals, University life
Tagged 52-hertz whale, Clayton Daniel Briggs, Cynthia Ashperger, Electric Circus, Emily Chiu, Giovanni Aldini, Keaton and The Whale, Mani Eustis, Molly Reisman, NYU, Pepperdine University, Ryerson University
Leave a comment
Questions for Dean Burry: Shanawdithit
I hope you’ll forgive me if I pause to take a breath before I attempt to tell you who Dean Burry is, a man who wears so many hats one doesn’t always know how to address him. Professor? Composer? Librettist? … Continue reading
Posted in Interviews, Music and musicology, Opera, Personal ruminations & essays, Theatre & musicals, University life
Tagged Aria Evans, Beothuk, Dean Burry, Marion Newman, Michelle Olson, musical theatre, Newfoundland, opera, Opera on the Avalon, reconciliation, Shanawdithit, Tapestry Opera, Yvette Nolan
Leave a comment
