Monthly Archives: February 2019

Gosford Park, Ivor Novello: Perchance to Dream

Posted on February 28, 2019 by barczablog

When I heard that Toronto Operetta Theatre will be staging Perchance to Dream, an Ivor Novello operetta, I was reminded of Robert Altman’s film Gosford Park.  I dug up the film again last night, delighting in its subtle intimations and … Continue reading →

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Questions for Stacie Dunlop – Lonely Child Project

Posted on February 26, 2019 by barczablog

Stacie Dunlop is a rare artist, a soprano who commissions original new music, some of the most original projects I’ve ever seen. You can read her bio. Three years ago I saw a workshop of The Harvester More recently came … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | Tagged , , , , , , | 1 Comment

Egoyan- Lite

Posted on February 24, 2019 by barczablog

I had another look at the Canadian Opera Company’s Cosi fan tutte tonight, a production that I enjoyed even more this time in its closing performance. Last time I was content to have so much fun & so many laughs, … Continue reading →

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Look at The Angel Speaks

Posted on February 22, 2019 by barczablog

I’m sharing some lovely photos by Bruce Zinger of last night’s North American premiere of  The Angel Speaks at the ROM, featuring Opera Atelier and select artists of Tafelmusik Baroque Orchestra. Is Opera Atelier perhaps pushing the envelope of what … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays | Tagged , , , , , , | Leave a comment

Questions for Kathy Domoney –DAM concerts

Posted on February 22, 2019 by barczablog

Kathy Domoney is the Director of DAM aka Domoney Artists Management who represent artists you may know & love. DAM now begets DAM Concert Opera, putting some of those artists onstage beginning with Rossini’s Le Comte Ory March 2nd at … Continue reading →

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The Angel Speaks

Posted on February 22, 2019 by barczablog

Tonight I was present at the North American Premiere of The Angel Speaks, a program of several works in several styles from Opera Atelier in a single performance for a small audience at the Royal Ontario Museum. Would we call … Continue reading →

Posted in Music and musicology, Opera, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , , , , | 1 Comment

Paolozzapedia

Posted on February 21, 2019 by barczablog

Commedia dell’Arte is a living theatre language. In Paolozzapedia, Adam Paolozza’s new meditation upon his heritage & influences, a Bad New Days Production with the support of Theatre Passe Muraille, that opened tonight at TPM, we get one of the … Continue reading →

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Elektra again

Posted on February 17, 2019 by barczablog

Today I had a second chance to see & hear the Canadian Opera Company’s Elektra at the Four Seasons Centre. It was so much better for me the second time, possibly because I was sitting closer. That first time (from a … Continue reading →

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Glimpses of The Eternal Feminine with Barbara Hannigan

Posted on February 15, 2019 by barczablog

When I posted that photo at lunch earlier today from last night’s Toronto Symphony concert, I joked that Barbara Hannigan is a precedent setter. Even so I understated what we saw & heard tonight. With one exception, the five works … Continue reading →

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Barbara Hannigan on Valentine’s Day

Posted on February 14, 2019 by barczablog

Happy Valentine’s Day. Tonight I’ll be listening to the Toronto Symphony celebrate the day under the leadership of Barbara Hannigan, who will also be singing. Here’s the program: Debussy: Syrinx for solo flute [3′] Sibelius: Luonnotar for Soprano and Orchestra [10′] Haydn: Symphony No. … Continue reading →

Posted in Music and musicology, Personal ruminations & essays, Popular music & culture | Tagged , , , , , | 1 Comment