Category Archives: Opera

Tessék?

A little something has nagged at me for days after seeing Arabella at the Canadian Opera Company on the weekend, a moment stuck in my head like an ear-worm. It’s not a musical ear-worm, it’s a linguistic one. I have … Continue reading

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Tapestry pays it forward

Tapestry Opera receives gift of $225,000 Bösendorfer piano; ‘pays it forward’ with disaster relief concert on October 25 Opera and jazz greats unite to inaugurate “the Stradivarius of pianos” with proceeds to benefit relief efforts across the world (Toronto, ON) – Tapestry Opera has … Continue reading

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Timely Arabella

Some compositions catch on right away, others take awhile to find an audience. I saw and enjoyed Arabella tonight in the Canadian Opera Company premiere production, the first time they’ve presented it: the sixth and last (premiered in 1933) in … Continue reading

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Simon Callow Being Wagner

I’ve just devoured a new book, Simon Callow’s Being Wagner.   The University of Toronto’s excellent music library just acquired it, a new book with a 2017 copyright. The cover shows the sub-title “Triumph of the Will” which is likely apt, … Continue reading

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Inter-textual Strauss

Composer Richard Strauss often dropped subtle references to other works into his scores. We’re accustomed to this in poetry, drama or film, where a quote can add depths to our experience, but it’s especially powerful when we recall how abstract … Continue reading

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An Arabella DVD

Every year as I prepare to teach the Most Popular Operas course at University of Toronto’s School of Continuing Studies, I have to adjust the course to include the current season’s repertoire. Fall is in the air, as the nights … Continue reading

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Memory Lane

I posted a few pictures to Facebook at the opening of SOLT’s all-Canadian program of two operas at the Robert Gill Theatre, one by John Beckwith who turned 90 earlier this year, one by a later generation in the person … Continue reading

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