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Tag Archives: Pelleas et Melisande
Composers dissing composers
Earlier today I commented on John Gilks’ post about The Lion Heart a new opera by Corey Arnold and Kyle McDonald that received its world premiere in a semi-staged production this past weekend. Near the end of his review John … Continue reading
Oxymoronic Augmented Opera
I don’t use that word lightly, and it’s not an insult. Some operas are oxymoronic, rife with contradiction, asymptotic in their fascination with impossibilities. Maeterlinck’s play Pelléas et Mélisande is the creation of a playwright who cringed in the presence … Continue reading
Posted in Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews
Tagged Benton Roark, Cryogenic preservation, Debi Wong, Debussy, Gardiner Expressway, Lauren Segal, Lyndsay Promane, Maeterlinck, Michael Hidetoshi Mori, Pelleas et Melisande, Philip Glass, Sidewalk Labs, Tap Ex, Tapestry Opera, Vanessa Oude-Reimerink, virtual reality, Walt Disney
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Questions for Bruno Roy
Time flies. It seems like it was only yesterday that baritone Bruno Roy was a finalist in Centre Stage, the 2015 Ensemble Studio competition. The new voice that we had never heard before? He is now about to make his … Continue reading
The wit and wisdom of Eldritch Theatre’s Doctor Wuthergloom
Praetorius Wuthergloom is a 142 year-old widower, an itinerant mediciner of supernatural blight & exorcist–the titles he gives himself—whose most recent extravaganza ended tonight, alas, with the closing performance of his show at the Red Sandcastle Theatre. Be not afeared, … Continue reading
AtG Pelléas et Mélisande
Against the Grain have done it again. Their outdoor production of Debussy’s Pelléas et Mélisande is highly original, illuminating the opera is several unforgettable ways. Joel Ivany’s director’s note in the program says “Upon getting to know this opera, it … Continue reading
Posted in Opera, Reviews
Tagged Against the Grain Theatre, Claude Debussy, Etienne Dupuis, Gregory Dahl, Joel Ivany, Pelleas et Melisande
4 Comments
Ideal Pelléas
It may be redundant to speak of an ideal Pelléas et Mélisande. The work is symbolist, which means it’s by definition a kind of ideal work. And notice I did not say “An” or “The” ideal Pelléas. It was “Ideal … Continue reading
Perfecting Persée
This morning I wondered, hm will I have anything to say? This is Opera Atelier’s third Persée this millennium. And now I have so much to say that I’ll probably have to split it into at least two separate posts. … Continue reading
Posted in Music and musicology, Opera, Reviews
Tagged Carla Huhtanen, Chris Enns, Curtis Sullivan, David Fallis, Debussy, Gerard Gauci, Jeannette Lajeunesse Zingg, Lawrence Wiliford, Lully, Marshall Pynkoski, Mireille Asselin, Olivier LaQuerre, Peggy Kriha Dye, Pelleas et Melisande, Persee
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10 Questions for Joel Ivany
Joel Ivany’s career seems to be taking off. His work with Against the Grain Theatre here in Toronto is impressive enough, but in addition he directed the recent World premiere of Gavin Bryars chamber opera Marilyn Forever with the Aventa … Continue reading
Posted in Dance, theatre & musicals, Interviews, Opera
Tagged Against the Grain Theatre, Albert Herring, AtG, Aventa Ensemble, Christopher Mokrzewski, Debussy, Edmonton Opera, Figaro's Wedding, Gavin Bryars, Joel Ivany, Korngold, Le Nozze di Figaro, Les Contes D’Hoffmann, Macbeth, Marilyn Forever, Messiah, Minnesota Opera, Miriam Khalil, Nabucco, Pelleas et Melisande, Robert Carsen, Royal Conservatory of Music, The Rape of Lucretia, The Silent Serenade, University of Toronto, Verdi, Western University
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