Tag Archives: Against the Grain Theatre

Against the Grain Orphée+

Orphée+? That plus sign might signify an opera updated, enlarged, perhaps even reformed(?). The “+” means some remarkable additions and changes from Gluck’s original, Orphée et Eurydice (or the Italian version aka Orfeo ed Euridice). Gluck created more than one … Continue reading

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Eagerly anticipating Against the Grain’s Orphée⁺ next week

I’m writing about Against the Grain Theatre right now as I think about their imminent co-production of Gluck’s opera, that they are calling Orphée⁺ (the original press release said “an international co-production between AtG, the Banff Centre for Arts and Creativity, and Opera Columbus“, … Continue reading

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Opera as blood sport: the Hutcheons contra Regietheater

I raced at top speed, not from jungle to city but from one end of the U of T campus to the other after work, afraid I’d be late for the (lecture about) opera, somewhat like the hero of Werner … Continue reading

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#AtGdeathdesire: more desire than death

If yesterday’s Dora announcement is anything to go by the youthful Against the Grain crew are a force to be reckoned with, as they’re up for several awards. Tonight AtG opened their latest, Death & Desire. Reading the lists of … Continue reading

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10 Questions for Krisztina Szabó

My stereotype of Krisztina Szabó is inaccurate of course. My questions may have made her laugh, even though she’s too polite to send me packing. In cobbling together a few questions –concerning a pair of 20th century compositions—I was far … Continue reading

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AtG Pelléas et Mélisande

Against the Grain have done it again. Their outdoor production of Debussy’s Pelléas et Mélisande is highly original, illuminating the opera is several unforgettable ways.  Joel Ivany’s director’s note in the program says “Upon getting to know this opera, it … Continue reading

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Ideal Pelléas

It may be redundant to speak of an ideal Pelléas et Mélisande. The work is symbolist, which means it’s by definition a kind of ideal work. And notice I did not say “An” or “The” ideal Pelléas. It was “Ideal … Continue reading

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