Tag Archives: Sondra Radvanovsky

Framing the Pollyanna proposition

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading

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Somewhere over the… moon?

Both works currently playing at the Canadian Opera Company feature a famous aria known by people who might otherwise not know the whole work. In Turandot it’s “nessun dorma”, a piece associated with Luciano Pavarotti, and maybe a little bit … Continue reading

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Keri Alkema: A Journey of Transformation

Today’s noon-hour recital at the Richard Bradshaw Amphitheatre aka the foyer of the Four Seasons Centre was unlike any we’ve seen before. Readers of this blog may recall that I’ve expressed my admiration for Keri Alkema in my reviews of … Continue reading

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Anna Bolena: saving the best for last

Sondra Radvanovsky is the story. There is no better singing in an opera in Toronto than what you’ll hear if you go see Anna Bolena with the Canadian Opera Company, and she’s not the only great voice. I can talk … Continue reading

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Radvanovsky: Humble Servant

Tonight at Koerner Hall, Sondra Radvanovsky offered a self-portrait in her recital as part of Toronto Summer Music Festival. It’s not just a huge coup for TSM & Artistic Director Douglas McNabney, the highest profile artist to appear there this … Continue reading

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Questions of identity

Do you know who you are? Today’s performance of the Canadian Opera company production of Roberto Devereux  at the Four Seasons Centre seemed like an investigation of identity. For one thing, there’s the opera’s plot, which concerns Elizabeth I and … Continue reading

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Radvanovsky’s Theatrical Elizabeth

The opera is called Roberto Devereux but don’t let that throw you.  The reason we’re there, the reason to see the Canadian Opera Company production of that aforementioned opera is for another character, namely Elisabetta, aka Queen Elizabeth. It’s a … Continue reading

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