Tag Archives: Barbara Hannigan

From the Met: Jocelyn and Dean create a Hamlet

Posted on June 5, 2022 by barczablog

Adapting a play into an opera can be fascinating work, especially when it’s as well-known a play as Hamlet. I’ve seen several attempts to turn this play into something else including a couple of musicals, an opera long ago, and … Continue reading →

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Gimeno + Hannigan = Ear-candy

Posted on May 20, 2022 by barczablog

It was a splendid formula. Far be it from me to propose something as reductive as math in the headline, only that the concert is titled “Gimeno + Hannigan”, which is certainly a quick overview. Between them Gustavo Gimeno and … Continue reading →

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Dynamic Duo: Hannigan & Storgårds

Posted on September 20, 2019 by barczablog

The Toronto Symphony’s opening concert welcomed the “dynamic duo”, soprano Barbara Hannigan and violinist John Storgårds. Each did some conducting, and each took a turn as a soloist. While it was not a long evening it felt like a lot … Continue reading →

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Glimpses of The Eternal Feminine with Barbara Hannigan

Posted on February 15, 2019 by barczablog

When I posted that photo at lunch earlier today from last night’s Toronto Symphony concert, I joked that Barbara Hannigan is a precedent setter. Even so I understated what we saw & heard tonight. With one exception, the five works … Continue reading →

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Barbara Hannigan on Valentine’s Day

Posted on February 14, 2019 by barczablog

Happy Valentine’s Day. Tonight I’ll be listening to the Toronto Symphony celebrate the day under the leadership of Barbara Hannigan, who will also be singing. Here’s the program: Debussy: Syrinx for solo flute [3′] Sibelius: Luonnotar for Soprano and Orchestra [10′] Haydn: Symphony No. … Continue reading →

Posted in Music and musicology, Personal ruminations & essays, Popular music & culture | Tagged , , , , , | 1 Comment

Against the Grain Orphée+

Posted on April 28, 2018 by barczablog

Orphée+? That plus sign might signify an opera updated, enlarged, perhaps even reformed(?). The “+” means some remarkable additions and changes from Gluck’s original, Orphée et Eurydice (or the Italian version aka Orfeo ed Euridice). Gluck created more than one … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Popular music & culture, Reviews | Tagged , , , , , , , , , , , | 2 Comments

Love, Death and the TSO

Posted on January 29, 2016 by barczablog

Tonight was my first look at the Toronto Symphony playing under Peter Oundjian since their Florida tour. On the trip I saw an ensemble who were playing with commitment and passion. Oundjian’s leadership for the three performances I saw of … Continue reading →

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Hannigan conducts the Toronto Symphony

Posted on October 8, 2015 by barczablog

Soprano Barbara Hannigan is also Conductor Barbara Hannigan.  We knew she could sing. Tonight she sang and conducted the Toronto Symphony, her first time conducting an orchestra in North America.  This wasn’t just a concert to enable her to plant the … Continue reading →

Posted in Music and musicology, Reviews | Tagged , | 5 Comments

Post

Posted on September 7, 2013 by barczablog

When i go to write a new piece here on the blog, i follow the tab to “new post”.  We were promised a paperless office, a paperless world long ago, but it never happened.  It’s funny to keep bumping into … Continue reading →

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Whose skin?

Posted on March 27, 2013 by barczablog

I just watched Written on Skin via youtube.  I won’t include the url, as this likely will only lead to its being taken down due to the traffic.  Anyone serious about seeing it, can go to youtube and search for … Continue reading →

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