Tag Archives: Benjamin Britten

Nicole Lizée Undisrupted: A Guide to The Orchestra

Posted on September 30, 2021 by barczablog

Is “undisrupted” a word? We have disturbed and undisturbed, disputable and indisputable. As far as I can tell the best way to understand undisrupted is in its use as the title of a series on CBC Gem:“In this ground-breaking video … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Press Releases and Announcements, Reviews | Tagged , , , , , , , , , , , , , , | 1 Comment

Moonrise Kingdom on Valentine’s Day

Posted on February 15, 2020 by barczablog

I saw the trailer for Wes Anderson’s next film. Google says it opens in the summer. Argh, I wish I could see it now, but, hmm, …a seed was planted. And there we were, staying in on a chilly Friday … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Popular music & culture, Reviews | Tagged , , , , , , | Leave a comment

Voices Across the Atlantic

Posted on July 19, 2019 by barczablog

The title “Voices Across the Atlantic” could refer to compositional voices or singing voices. You had Barber & Willan from our side of the pond, Brahms, Britten & Monteverdi from the other. Ditto for the performing talent, coming from many … Continue reading →

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Thomas Søndergård leads the TSO

Posted on October 21, 2018 by barczablog

Tonight was the second of two consecutive concerts of the Toronto Symphony conducted by Danish maestro Thomas Søndergård, a spectacular program devoured by an eager audience showing off the strengths of the orchestra: Thomas Adès: Dances from Powder Her face … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , | 3 Comments

Four Last Songs: aging, creativity and the meaning of life

Posted on May 18, 2015 by barczablog

The cover picture shows Giuseppe Verdi sitting with a reflective expression on his face while he plays the piano. The book’s title is Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen and Britten, the latest collaboration between Linda … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , | 2 Comments

Emerson String Quartet’s Modern Age

Posted on July 23, 2014 by barczablog

The Emerson String Quartet kicked off Toronto Summer Music with a concert tonight. I’m sure some people were there to hear Beethoven’s Op 95 quartet, many more to hear Schubert’s “Death & the Maiden” quartet, while comparatively few were there … Continue reading →

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Thomas Allen—Songs of the Sea

Posted on February 13, 2014 by barczablog

Although today’s free noon-hour concert by Thomas Allen at the Richard Bradshaw Auditorium was titled “Songs of the Sea” the waters could have been the fountain of youth.  Allen is the biggest name singer currently appearing in the Canadian Opera … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , | 1 Comment

Gloriana

Posted on November 25, 2013 by barczablog

It’s such a privilege to see a rare work.  Whatever else I might say about the Voicebox/Opera in Concert presentation of Benjamin Britten’s Gloriana on the occasion of the composer’s centennial, I’m thankful for this encounter with the score. This … Continue reading →

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COC Peter Grimes

Posted on October 18, 2013 by barczablog

Tonight I saw the Canadian Opera Company production of Benjamin Britten’s Peter Grimes.  I’m late getting to the party for a production that opened on October 5th, but I was out of town that weekend.  Regular readers of newspaper reviews … Continue reading →

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10 Questions for Cecilia Livingston

Posted on October 14, 2013 by barczablog

Known across Canada and the US for her vocal music, Cecilia Livingston is deeply involved in Toronto’s choral and opera communities, with a special focus on writing music for women’s voices. She looks forward to projects in 2014-2015 in collaboration … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , , , , , | 2 Comments