Tag Archives: Metropolitan Opera

Adam Klein reflects on his operatic career (part 2): Peter Gelb, Robert Lepage and more

Posted on January 6, 2024 by barczablog

The reason I interviewed Adam Klein is interest: in his career, his opinions, and anything I might learn. I am a fan. Adam sang in the Lepage Ring, has been in a lot of shows at the Metropolitan Opera and elsewhere. … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Adam Klein reflects on the beginning of his operatic career

Posted on January 2, 2024 by barczablog

How do we begin? It’s a good question to ask on January 1st. I am a big fan of tenor Adam Klein. I saw him play Loge in the Robert Lepage production of Das Rheingold, just about the only singer who … Continue reading →

Posted in Art, Architecture & Design, Interviews, Opera | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Another look at Alden’s Dutchman, a first look at Harold Wilson

Posted on October 24, 2022 by barczablog

Today’s matinee was the Canadian Opera Company’s closing performance of The Flying Dutchman, complete with a singer making his debut. The American bass Harold Wilson stepped in for an indisposed Franz-Josef Selig in the role of Daland. When I looked … Continue reading →

Posted in Personal ruminations & essays | Tagged , , , , , , , , , | 4 Comments

Ernesto and Luciano: similar yet different

Posted on October 8, 2022 by barczablog

It was forty years ago. I was in New York on my honeymoon, seeking a ticket to see the Metropolitan Opera (even a scalper if necessary). But I found tickets at the box office, 7th row (if my memory doesn’t … Continue reading →

Posted in Opera, Press Releases and Announcements | Tagged , , , , | Leave a comment

From the Met: Jocelyn and Dean create a Hamlet

Posted on June 5, 2022 by barczablog

Adapting a play into an opera can be fascinating work, especially when it’s as well-known a play as Hamlet. I’ve seen several attempts to turn this play into something else including a couple of musicals, an opera long ago, and … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Quilico and Pavarotti in Rigoletto

Posted on April 12, 2021 by barczablog

The Metropolitan Opera’s free feed gave us a lovely trip down memory lane last week, with a 1981 Rigoletto starring Louis Quilico, Luciano Pavarotti and Christiane Eda-Pierre. I can’t be the only one who watched, remembering the times Quilico sang … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Opera | Tagged , , , , , , , , | 5 Comments

Brilliantly Problematic Porgy & Bess

Posted on February 2, 2020 by barczablog

Don’t let the headline fool you. When you see that the Metropolitan Opera are producing The Gershwins’ Porgy & Bess for the first time in almost thirty years, seemingly selling every ticket to every performance, you might well ask them: … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | 3 Comments

Met HD Wozzeck

Posted on January 13, 2020 by barczablog

They say it’s a co-production, this new Wozzeck that was broadcast in High Definition this past weekend from the Metropolitan Opera: “A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia.” The co-pro of … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , , | 1 Comment

10 Questions for Stephen Costello

Posted on April 10, 2013 by barczablog

The fast-rising young tenor Stephen Costello has firmly established himself as one of the current generation’s most impressive artists.  He came to national attention in 2007 when, at age 26, he debuted at the Met’s season-opening night and was quickly … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , , , , , , , | 1 Comment

Metropolitan Opera 2013-2014

Posted on February 27, 2013 by barczablog

Depending on your taste, there are good and bad things in Peter Gelb’s announcement of the 2013-2014 season at the Metropolitan Opera. I am most excited by an item that seems to currently be under the radar.  Dmitri Tcherniakov will … Continue reading →

Posted in Opera, Personal ruminations & essays | Tagged , | Leave a comment