Tag Archives: Canadian Opera Company

Perryn Leech comes to the COC

Posted on April 28, 2021 by barczablog

I am disoriented. The end of April? Time for taxes, to plant & nurture the garden. And to renew my subscription to the Canadian Opera Company before the end of the month. But it’s so weird. Normally their new season … Continue reading →

Posted in Dance, theatre & musicals, Opera, Personal ruminations & essays | Tagged , , , , , | Leave a comment

Quilico and Pavarotti in Rigoletto

Posted on April 12, 2021 by barczablog

The Metropolitan Opera’s free feed gave us a lovely trip down memory lane last week, with a 1981 Rigoletto starring Louis Quilico, Luciano Pavarotti and Christiane Eda-Pierre. I can’t be the only one who watched, remembering the times Quilico sang … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Opera | Tagged , , , , , , , , | 4 Comments

Beethoven 250: recalling Brian Macdonald’s Diabelli Variations

Posted on December 7, 2020 by barczablog

As I reminisce about a piece choreographed by Brian Macdonald I hope I can be forgiven for seguing into remembrance of the man, who is known for many things. You probably saw one of the musicals he directed at Stratford, … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, University life | Tagged , , , , , , , , , | Leave a comment

Canadian Opera Company announces new General Director

Posted on November 30, 2020 by barczablog

As a subscriber I received an email late this morning from Jonathan Morgan, Chair of the Canadian Opera Company Board of Directors, addressed to COC community members, announcing the new General Director Perryn Leech who we’re told “will step into … Continue reading →

Posted in Opera, Press Releases and Announcements | Tagged , , | Leave a comment

Yes we can

Posted on October 2, 2020 by barczablog

Is he really gone? Alexander Neef may be in Europe with the Paris Opera but it was already a promiscuous relationship, this General Directorship of the COC. Neef was working for his Toronto audience while at the same time taking … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Politics | Tagged , , , | Leave a comment

Neighbourhood impacts

Posted on September 14, 2020 by barczablog

I was looking in the Canadian Opera Company’s latest publication, a shiny offering that arrived in the mail less than an hour ago, with the title “Audience Impact Report.” Speaking of impacts the mailing included the obligatory return envelope & … Continue reading →

Posted in Opera, Personal ruminations & essays, Popular music & culture, University life | Tagged , , , , , , , , , | Leave a comment

Service or Business? the election selection

Posted on August 29, 2020 by barczablog

We’re helpless in the face of a mystery virus. It seems that everywhere you turn in the media, conspiracies are all around us. The gentler word is “hoax”, that stops short of the kind of thing one sees with ideas … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Politics, Popular music & culture | Tagged , , , , , , , | Leave a comment

Whither Canadian Opera Company: after Neef

Posted on June 11, 2020 by barczablog

Did you know? The first ever Monty Python episode was titled Whither Canada. I suspect it’s a title meant to invoke the sort of bland but innocent British documentary we see here in Canada as “Hinterland Who’s Who” or “Heritage … Continue reading →

Posted in Opera, Personal ruminations & essays, Sports | Tagged , , , | 5 Comments

Not #MeToo

Posted on February 14, 2020 by barczablog

I’m upset. It’s not that I’m having a bad day. I just keep hearing news that’s upsetting. Two very different women I knew, each an avatar of female strength, have passed away. I met each of them, knew them very … Continue reading →

Posted in Books & Literature, Opera, Personal ruminations & essays, Politics, University life | Tagged , , , , , , , | Leave a comment

#COCgingerbread: Joel Ivany softens a Grimm tale of cruelty

Posted on February 9, 2020 by barczablog

It’s called “Hansel and Gretel”, not “kill the witch”. And in the original the witch isn’t even the nastiest character. You may already know that the new Canadian Opera Company production of Humperdinck’s Hansel & Gretel modernizes the setting to … Continue reading →

Posted in Opera, Personal ruminations & essays | Tagged , , , , , , , , , , , , | Leave a comment