Tag Archives: Canadian Opera Company

Last Werther to end an era

Posted on May 25, 2026 by barczablog

The matinee of Werther Saturday May 23rd to end the current Canadian Opera Company Spring Season was not without a bit of ceremony. At the end of the curtain call, Music Director Johannes Debus brought out a microphone and began … Continue reading →

Posted in Personal ruminations & essays | Tagged Alex Hetherington, Alexander Hajek, Andreas Schager, Canadian, Canadian Opera Company, Christine Goerke, Crow's Theatre, David Ferguson, Douglas Stewart, Ernesto Ramirez, Holly Chaplin, Ian Derrer, Jules Massenet, Krisztina Szabo, Mandle Phil, Mark Rogers, Michael Colvin, Michael Patrick Albano, Paolo Santalucia, Robert Lepage, Robert Pomakov, Russell Thomas, Stefan Vinke, Victoria Karkacheva | 2 Comments

Multidimensional Michael Patrick Albano: an interview

Posted on May 20, 2026 by barczablog

Michael Patrick Albano is Associate Professor Emeritus with the Faculty of Music, University of Toronto, where you can see his bio and this photo: but that only tells you part of the story. Michael is resident Stage Director of the … Continue reading →

Posted in Interviews, Opera, University life | Tagged Canadian Children's Opera Company, Canadian Opera Company, Cecilia Livingston, Constance Fisher Craig, Fall River, Herman Geiger-Torel, Macmillan Theatre, Michael Patrick Albano, Sandra Horst, Tapestry Opera, the legend of Lizzie Borden, University of Toronto, writing | 2 Comments

Witnessing the birth of romanticism with young Werther

Posted on May 10, 2026 by barczablog

Excuse me as I gush. I love the new Canadian Opera Company production of Werther, featuring some of the best singing we’ve heard in years. I want people to come see this opera, so that the COC decides to do … Continue reading →

Posted in Books & Literature, Opera, Reviews | Tagged Alain Coulombe, Alain Gauthier, Ann Cooper Gay, Ben Wallace, Canadian Opera Company, Emma Pennell, Four Seasons Centre, Johannes Debus, Jules Massenet, Kenneth Baker, Michael Colvin, Robert Pomakov, Russell Thomas, stuart hamilton, Victoria Karkacheva | 4 Comments

Interviewing soprano Sarah Dufresne

Posted on March 5, 2026 by barczablog

Reviewers work after the fact, which means that sometimes we only notice stars when the show is over, especially when we are seeing the artist for the first time. So here I am belatedly interviewing Sarah Dufresne, long after her … Continue reading →

Posted in Interviews, Opera | Tagged art, Barrie Kosky, Canadian Opera Company, Carmen, Florence Pugh, Gilda, Hamlet, Ian Sabourin, opera, Opera de Montreal, Ophélie, Pacific Opera Victoria, Rigoletto, Royal Opera, Sarah Dufresne, Siegfried, Teatro alla Scala, Verdi | 2 Comments

A closer look at the COC’s zany Barber of Seville

Posted on February 22, 2026 by barczablog

Your tickets to the opera really are a case of “location location location”. When I saw the Canadian Opera Company’s Barber of Seville two weeks ago seated in the middle of the downstairs at the Four Seasons Centre, yes I … Continue reading →

Posted in Opera, Press Releases and Announcements, Reviews | Tagged Ariadne auf Naxos, Barber of Seville, Benjamin Britten, Canadian Opera Company, Cherie Dimaline, classical-music, Cosi fan tutte, Daniela Candillari, Dave Monaco, David Ferguson, Deepa Johnny, Elixir of Love, Four Seasons Centre, Gioachino Rossini, Ian Cusson, Ian Derrer, Joan Font, Joan Guillén, La Traviata, Luca Pisaroni, Luke Sutliff, music, Nathan Keoughan, opera, Perryn Leech, Pietro Adaini, Renato Girolami, Richard Strauss, Robert Lepage, Rossini, theatre, Turn of the Screw | Leave a comment

A last Rigoletto on the cusp of a regime change

Posted on February 15, 2026 by barczablog

For Valentine’s Day 2026 this subscriber attended the Canadian Opera Company’s last performance of Rigoletto in their winter season at the Four Seasons Centre, in Christopher Alden’s rather un-romantic production. The rose petals fall from above as the young girl … Continue reading →

Posted in Opera, Reviews | Tagged Andriana Chuchman, Ben Bliss, Canadian Opera Company, Christopher Alden, David Ferguson, Family Day, Four Seasons Centre, Ian Derrer, Johannes Debus, Lunar New Year, Peixin Chen, Quinn Kelsey, Rigoletto, Sarah Dufresne, Simona Genga, Valentine's Day, Verdi | Leave a comment

COC Barber in 2026

Posted on February 7, 2026 by barczablog

At first glance the two operas being presented by the Canadian Opera Company represent a contrasting pair. Last week I reviewed the dark Christopher Alden Rigoletto, being offered in a revival with a strong cast. Tonight I saw the COC’s … Continue reading →

Posted in Opera, Reviews | Tagged Canadian Opera Company, Daniela Candillari, Dave Monaco, Els Comediants, Gioachino Rossini, Giuseppe Verdi, Joan Font, Joan Guillén, Luke Sutliff, Renato Girolami | Leave a comment

A Rigoletto for our time

Posted on January 29, 2026 by barczablog

The Canadian Opera Company are reviving the Christopher Alden Rigoletto, last seen in 2018 and first seen here in 2011. I have always been conflicted about it, a production that in some ways shows the real story that composer Giuseppe … Continue reading →

Posted in Opera, Reviews | Tagged Ben Bliss, Canadian Opera Company, Christopher Alden, Four Seasons Centre, Franceso Maria Piave, Giuseppe Verdi, Johannes Debus, Quinn Kelsey, Rigoletto, Sarah Dufresne, Simone Genga, Zoie Reams | Leave a comment

Superb Orfeo revival

Posted on October 13, 2025 by barczablog

I was delighted by the Canadian Opera Company revival of Gluck’s Orfeo ed Euridice Saturday at the Four Seasons Centre. Although I thought I liked it well enough when I saw it in 2011 I never expected the gushing tears … Continue reading →

Posted in Opera, Reviews | Tagged Anna-Sophie Neher, Bernard Labadie, Canadian Opera Company, Catherine St-Arnaud, Christoph Willibald Gluck, Christophe Gayra, classical-music, Four Seasons Centre, Iestyn Davies, music, opera, Orfeo ed Euridice, Ranieri de' Calzabigi, reform opera, review, Robert Carsen, Sandra Horst | Leave a comment

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments