Tag Archives: Canadian Opera Company

Another look at Alden’s Dutchman, a first look at Harold Wilson

Posted on October 24, 2022 by barczablog

Today’s matinee was the Canadian Opera Company’s closing performance of The Flying Dutchman, complete with a singer making his debut. The American bass Harold Wilson stepped in for an indisposed Franz-Josef Selig in the role of Daland. When I looked … Continue reading →

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COC Carmen Opens

Posted on October 15, 2022 by barczablog

I saw and heard opening night of the Canadian Opera Company’s Carmen tonight at the Four Seasons Centre, a revival of Joel Ivany’s 2016 production. It’s a wonderful take on a well-known work with a very original approach to the … Continue reading →

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COC Flying Dutchman Opens

Posted on October 8, 2022 by barczablog

I saw and heard opening night of the Canadian Opera Company’s Flying Dutchman tonight at the Four Seasons Centre, a revival of a Christopher Alden production directed for this revival by Marilyn Gronsdal. I liked it a lot. The COC … Continue reading →

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Questions for Marilyn Gronsdal

Posted on September 27, 2022 by barczablog

Marilyn Gronsdal is an opera director whose work we’ve seen with the Canadian Opera Company, reviving productions premiered in earlier seasons. In 2019 the COC brought back Atom Egoyan’s 2015 Cosi fan tutte. I liked that 2019 version much better … Continue reading →

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Gould’s Wall

Posted on August 6, 2022 by barczablog

Tapestry Opera have premiered Brian Current’s new site-specific work Gould’s Wall, an event that adds another layer to the association between the Royal Conservatory of Music and one of their most distinguished alumni Glenn Gould. I like it more than … Continue reading →

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Closing show preview of what’s to come  

Posted on May 22, 2022 by barczablog

My mantra is “I’m a lucky guy”.  It’s admittedly designed to be a self-fulfilling prophecy, useful because you notice the good things happening to you if you begin with the belief in their likelihood, the presupposition of good fortune and … Continue reading →

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Good news COC Traviata

Posted on May 8, 2022 by barczablog

When Perryn Leech the Canadian Opera Company general director came out before the performance of La Traviata last night, it was the first time I’d seen him in person, after several messages in the virtual world. He spoke briefly to … Continue reading →

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Confronting mortality: AtG /COC Mozart Requiem

Posted on December 4, 2021 by barczablog

The pandemic is simultaneously new in its requirements and yet old in once again reminding us of our ultimate destiny. Modern science may blind us to history’s lessons. The images on the tray in this picture come from Täby kyrka, … Continue reading →

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Be Not Too Bold: COC Schicchi

Posted on November 1, 2021 by barczablog

The headline is the inevitable result of a weekend watching and comparing two different virtual offerings from two opera companies, one much bolder than the other. Yesterday’s Opera Atelier headline aims to praise what’s praiseworthy, so I used the word … Continue reading →

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Russell, Tamara, Johannes and Perryn take us for a test-drive

Posted on October 3, 2021 by barczablog

If asked to identify the two most reliable performers for the Canadian Opera Company over the past decade, you might well come up with the singers chosen to launch the COC’s “season like no other”. I remember Russell Braun’s Chou … Continue reading →

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