Monthly Archives: June 2012


When did music begin to imitate its subject, begin to be ambitious about signifying?  Is Mozart’s gentle rococo tuba mirum (so understated compared to Verdi’s dies irae or Mahler’s resurrection in his 2nd Symphony) an attempt to show us what … Continue reading

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Whatever you think of the music on PREMIERES – violinist Conrad Chow’s CD of original musical compositions for violin with different groupings of accompanying instruments— the concept seems to be original. My eyebrows went up when I heard that a … Continue reading

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Jean Cox

I’ve been thinking about Jean Cox. Cox was a great American heldentenor, who died on Sunday.  By coincidence it’s the same day that Franz Crass passed, and not many weeks after the death of Dietrich Fischer-Dieskau. I am pondering the … Continue reading

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10 Questions for Conrad Chow

Whether performing at the Mozarteum in Salzburg, Disney Hall in Los Angeles, Carnegie Hall in New York, or Qingdao Grand Auditorium in China, Canadian violinist Conrad Chow has won over audiences with his interpretations of music from different centuries, continents, … Continue reading

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Father’s Day

Sunday June 17th was the day I watched Extremely Loud and Incredibly Close (let’s call it ELIC) for a second time.  I’d seen it Friday night, and reviewed it.  I remarked that for me its chief subject was not 9/11, … Continue reading

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10 Questions for Adam Klein

Adam Klein is a man of many guises.  He’s a tenor, singing in many different styles. He’s a composer.  A teacher.  An instrument maker. No wonder Klein seemed to be a natural as Loge in Das Rheingold at the Metropolitan … Continue reading

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Somewhat soon and partially successful

For those of you accustomed to reading my accolades for singers, artists & pianists it may seem that you’ve stumbled into the wrong page, with a headline like this. Oh my God, he actually says negative things? yes Isn’t that … Continue reading

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