Tag Archives: Robert Lepage

Pondering wandering

I like the sound of that headline. As I do what it says, pondering wandering, I am a bit lost in the ambiguities. If we knew where we were going it wouldn’t be wandering, would it. The time of year … Continue reading

Posted in Music and musicology, Opera, Personal ruminations & essays, Spirituality & Religion, Theatre & musicals | Tagged , , , , , , , , , , | Leave a comment

887: a quest for redemption for Robert Lepage

There is some irony that Canadian Stage are bringing back Robert Lepage’s 887, both because it’s a powerful piece of theatre that you must see if at all possible, but also as an exploration of memory. Throughout the work Lepage is … Continue reading

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Eagerly anticipating Against the Grain’s Orphée⁺ next week

I’m writing about Against the Grain Theatre right now as I think about their imminent co-production of Gluck’s opera, that they are calling Orphée⁺ (the original press release said “an international co-production between AtG, the Banff Centre for Arts and Creativity, and Opera Columbus“, … Continue reading

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10 Questions for Krisztina Szabó

My stereotype of Krisztina Szabó is inaccurate of course. My questions may have made her laugh, even though she’s too polite to send me packing. In cobbling together a few questions –concerning a pair of 20th century compositions—I was far … Continue reading

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Needles and Opium

I’ve just come from one of the most absorbing 105 minutes I’ve ever passed in a theatre, thanks to Robert Lepage.  I take it on faith (from the program, and from the time on my phone when I came out), … Continue reading

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YouTopia

Tonight at a performance of Bruce Barton’s YouTopia I was reminded of the difference between the mandate of University of Toronto’s “Drama Centre” (recently renamed “Centre for Drama, Theatre & Performance Studies”) and various theatre schools such as Ryerson or … Continue reading

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Whose dream?

We’re in the summer of Wagner’s Bicentennial.  Frank Castorf’s new Ring cycle has opened at Bayreuth, which led to the inevitable boos from the audience. Inevitable?  Two of the greatest Bayreuth productions of the past few decades were booed at … Continue reading

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