Tag Archives: Robert Lepage

Questions for Marilyn Gronsdal

Posted on September 27, 2022 by barczablog

Marilyn Gronsdal is an opera director whose work we’ve seen with the Canadian Opera Company, reviving productions premiered in earlier seasons. In 2019 the COC brought back Atom Egoyan’s 2015 Cosi fan tutte. I liked that 2019 version much better … Continue reading →

Posted in Interviews, Opera | Tagged Canadian Opera Company, Christopher Alden, Four Seasons Centre, Marilyn Gronsdal, Robert Lepage, The Flying Dutchman | Leave a comment

SFO Rheingold

Posted on March 8, 2021 by barczablog

As I ponder the future of streaming performances & concerts, I’m checking out Wagner’s Ring Cycle as produced by the San Francisco Opera in 2018 in their co-production with the Washington Opera. If you go to https://sfopera.com/opera-is-on/ you choose between … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Opera, Reviews | Tagged Andrea Silvetrelli, Das Rheingold, Falk Struckmann, Francesca Zambello, Greet Grimsley, Jamie Barton, Julie Adams, Les Troyens, Patrice Chereau, Richard Wagner, Robert Lepage, Ronnita Miller, Stegan Margita | Leave a comment

Lepage’s Coriolanus: a video sandwich

Posted on May 1, 2020 by barczablog

There’s a particular magic to live theatre that you can almost glimpse in an online transmission, but it’s not really the same, not quite so magical. When I see Coriolanus get into a car onstage that seems to drive into … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews | Tagged 887, Andre Sills, Coriolanus, Graham Abbey, Lucy Peacock, Robert Lepage, Shakespeare, Stratford Festival, video sandwich | Leave a comment

Framing the Pollyanna proposition

Posted on January 9, 2020 by barczablog

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays | Tagged 887, Against the Grain Theatre, Alaina Viau, Amplified Opera, Aria Umezawa, Book of my shames, crystal pite, Dawn Jani Birley, Elisa Citterio, Gustavo Gimeno, Isaiah Bell, Joel Ivany, Johannes Debus, Jonathan Crow, Jonathan Young, Kiviuq Returns, Kopernikus, Laakkuluk Williamson Bathory, Masaaki Suzuki, Musique 3 Femmes, Revisor, Robert Lepage, Rusalka, Sondra Radvanovsky, Tamara Wilson, Teiya Kasahara, The St Matthew Passion, Toronto City Opera, Wajdi Mouawad | 1 Comment

Robert Lepage’s 887 this time

Posted on May 4, 2019 by barczablog

Have you seen Robert Lepage’s 887? This show’s been all over the world. I missed the first Toronto incarnation in 2015 but saw it & raved about it last time, brought to Toronto via Canadian Stage (one of the co-producers) … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Psychology and perception | Tagged 887, Canadian Stage, Quebec, Robert Lepage | 2 Comments

Pondering wandering

Posted on April 14, 2019 by barczablog

I like the sound of that headline. As I do what it says, pondering wandering, I am a bit lost in the ambiguities. If we knew where we were going it wouldn’t be wandering, would it. The time of year … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Spirituality & Religion | Tagged Byron, Harold in Italy, Hector Berlioz, Joel Ivany, Matjash Mrozewski, Parsifal, Richard Wagner, Robert Lepage, Terence Mallick, Topher Mokrzewski, Tree of Life | Leave a comment

887: a quest for redemption for Robert Lepage

Posted on April 2, 2019 by barczablog

There is some irony that Canadian Stage are bringing back Robert Lepage’s 887, both because it’s a powerful piece of theatre that you must see if at all possible, but also as an exploration of memory. Throughout the work Lepage is … Continue reading →

Posted in Dance, theatre & musicals, Opera, Politics, Reviews | Tagged 887, Anne Midgette, Anthony Tommasini, James Jorden, Robert Lepage | Leave a comment

Eagerly anticipating Against the Grain’s Orphée⁺ next week

Posted on April 21, 2018 by barczablog

I’m writing about Against the Grain Theatre right now as I think about their imminent co-production of Gluck’s opera, that they are calling Orphée⁺ (the original press release said “an international co-production between AtG, the Banff Centre for Arts and Creativity, and Opera Columbus“, … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays | Tagged aerial, Against the Grain Theatre, burlesque, Canadian Opera Company, erwartung, Gluck, Joel Ivany, Opera Atelier, Opera Columbus, Orphee, Robert Lepage, Tafelmusik Baroque Orchestra, Topher Mokrzewski | Leave a comment

10 Questions for Krisztina Szabó

Posted on April 13, 2015 by barczablog

My stereotype of Krisztina Szabó is inaccurate of course. My questions may have made her laugh, even though she’s too polite to send me packing. In cobbling together a few questions –concerning a pair of 20th century compositions—I was far … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged Against the Grain Theatre, Canadian Opera Company, Death and Desire, Harawi, Joel Ivany, Krisztina Szabo, Olivier Messiaen, Robert Lepage | Leave a comment

Needles and Opium

Posted on November 23, 2013 by barczablog

I’ve just come from one of the most absorbing 105 minutes I’ve ever passed in a theatre, thanks to Robert Lepage. I take it on faith (from the program, and from the time on my phone when I came out), … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged Bluma Appel Theatre, Canadian Stage, Eonnagata, Ex Machina, Marc Labreche, Needles and Opium, Robert Lepage, Wellesley Robertson III | 6 Comments