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Tag Archives: classical-music
Mark Tetreault recalls his Toronto Symphony Tuba playing days
Whenever I come into the concert hall for a Toronto Symphony Orchestra concert and see a tuba my heart beats a bit faster: because it means something extraordinary. I just googled the tuba. You won’t hear the instrument in a … Continue reading
A Toronto Summer Music opening night celebration with Les Arts Florissants
Driving downtown to the concert Thursday night July 9th in Koerner Hall I drove through downpours, hearing of roads closed by local flooding. By the time I got there the weather had cleared up, an auspicious beginning: to the 2026 … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews
Tagged (Olivier Bergeron, Camille Chopin, classical-music, history, Jonathan Crow, Josipa Bilic, Kevin Arboleda-Oquendo, La Descente d'Orphée aux enfers, Les Arts Florissant, Marc Antoine Charpentier, music, opera, Richard Pittsinger, Sarah Fleiss, Toronto Summer Music, William Christie, William Fedkenheuer
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Digging into cinematic culture with Maria Dueñas, Gustavo Gimeno & the Toronto Symphony
In a week when every item in the Toronto Symphony’s concert program has a connection to film, it was amazing to see such a remarkable variety, the many different ways music and movies can be connected. And the results were … Continue reading
Posted in Cinema, video & DVDs, Music and musicology, Reviews, University life
Tagged 2001: A Space Odyssey, Bekah Simms, Beneath the Twelve Mile Reef, Bernard Herrmann, cinema, classical-music, Dennis Christopher, Erich Wolfgang Korngold, Fahrenheit 451, Felix Mendelssohn, film music, Gustavo Gimeno, Gyorgy Ligeti, Hollywood Sound, John Mauceri, John Williams, leit-motiv, Maria Dueñas, Masterworks, Max Steiner, Nostalgie, Richard Wagner, Rodney Dangerfield, Samy Moussa, Steven Reineke, The Day the Earth Stood Still, Toronto Symphony
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Mandle Philharmonic plays Mahler 2nd
I have to make comparisons. Even the most sympathetic critic observes and then contextualizes, by framing those observations in comparison to others. On Friday May 22nd Mandle Cheung conducted his orchestra, the Mandle Philharmonic, in a performance of Gustav Mahler’s … Continue reading
Posted in Music and musicology, Reviews
Tagged Alex Hetherington, Astrid Varnay, Billy Bishop, Bruno Walter, Carl Morey, classical-music, FIFA, George Weston Recital Hall, Gustav Mahler, Herbert von Karajan, Lesley Bouza, Mandle Cheung, Mandle Phil, Mandle Philharmonic, music, Neil Crory, orchestra, Otto Klemperer, RBC Amphitheatre, Resurrection Symphony, Toronto Symphony, TSO, Urlicht
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Co-existing worlds of Epic Wagnerian Toronto Symphony
Thursday night the Toronto Symphony showed us they could blend Western & non-Western cultural traditions. When Gustavo Gimeno spoke in his program note of the imminent arrival of thousands from abroad into our city for the FIFA matches, he spoke … Continue reading
Ernesto Ramirez’s reflections on singing, preparing for his upcoming concert: an interview with a great singer
I am a big fan of Ernesto Ramirez and his beautiful tenor voice. I’ve seen him sing several times. The voice has a memorable sound, indeed the ideal colour for the Italian bel canto repertoire. He is a singer of … Continue reading
Posted in Interviews, Opera
Tagged Beach United Church, bel canto, classical-music, Ernesto Ramirez, Hello Goodbye, Holly Chaplin, music, Narmina Efendiyeva, Ryan Hofman
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The ambiguous virtuosity of La Maupin
La Maupin is the title of a new opera produced on film concerning a mythological person of ambiguous gender who may have existed. The historical figure is so interesting, you’d have to invent someone like this if she were not … Continue reading
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