Tag Archives: classical-music

Virtuoso Shunske Sato takes Tafelmusik to the next level with Beethoven & Bologne

Posted on June 1, 2026 by barczablog

Descending the stairs after the final Tafelmusik concert of the season at Koerner Hall, walking slowly behind older audience members, a woman beside me glanced over, eyes glowing, wanting to share her experience. She had to talk. And so we … Continue reading →

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Mandle Philharmonic plays Mahler 2nd

Posted on May 23, 2026 by barczablog

I have to make comparisons. Even the most sympathetic critic observes and then contextualizes, by framing those observations in comparison to others. On Friday May 22nd Mandle Cheung conducted his orchestra, the Mandle Philharmonic, in a performance of Gustav Mahler’s … Continue reading →

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Co-existing worlds of Epic Wagnerian Toronto Symphony

Posted on May 15, 2026 by barczablog

Thursday night the Toronto Symphony showed us they could blend Western & non-Western cultural traditions. When Gustavo Gimeno spoke in his program note of the imminent arrival of thousands from abroad into our city for the FIFA matches, he spoke … Continue reading →

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Ernesto Ramirez’s reflections on singing, preparing for his upcoming concert: an interview with a great singer

Posted on May 2, 2026 by barczablog

I am a big fan of Ernesto Ramirez and his beautiful tenor voice. I’ve seen him sing several times. The voice has a memorable sound, indeed the ideal colour for the Italian bel canto repertoire. He is a singer of … Continue reading →

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The ambiguous virtuosity of La Maupin

Posted on April 30, 2026 by barczablog

La Maupin is the title of a new opera produced on film concerning a mythological person of ambiguous gender who may have existed. The historical figure is so interesting, you’d have to invent someone like this if she were not … Continue reading →

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Opera Atelier present their new Pelléas et Mélisande

Posted on April 16, 2026 by barczablog

Wednesday night saw the premiere of Pelléas et Mélisande in a new orchestration by Christopher Bagan, conducted by David Fallis at Koerner Hall. Opera Atelier commissioned Bagan to reduce the scope of Debussy’s opera from a post-Wagnerian orchestra (70 + … Continue reading →

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Room of Keys with David James Brock and Adam Sherkin playing Béla Bartók

Posted on April 10, 2026 by barczablog

Room of Keys is a sort of sacred mystery play. I don’t throw that M word out there in the spirit of a whodunnit so much as the old sacred pre-Shakespearean plays that would stage a small Biblical episode. No … Continue reading →

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Anticipating David James Brock’s upcoming Room of Keys: an interview

Posted on April 2, 2026 by barczablog

Room of Keys is David James Brock’s one act play, created with Adam Sherkin of Piano Lunaire, inspired by Béla Bartók’s Bluebeard’s Castle (1918). It’s natural that a mysterious symbolist play invites exploration. As with the piano paraphrases of La … Continue reading →

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French Meditations take Scarborough Philharmonic to new heights

Posted on March 29, 2026 by barczablog

When someone improves, you may wonder why. Listening to Scarborough Philharmonic’s “French Meditations” concert Saturday night I wondered: is it the leadership, is it the players, is it their choice of music? whatever factors came into play, this was the … Continue reading →

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JS Bach’s St Matthew Passion with Toronto Mendelssohn Choir and JS Vallée

Posted on March 27, 2026 by barczablog

Wednesday March 25th I attended the concluding performance of Johann Sebastian Bach’s St Matthew Passion at Koerner Hall by the Toronto Mendelssohn Choir and the TMC Baroque Orchestra led by Jean-Sébastien Vallée. This massive work is the perfect celebration of … Continue reading →

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