Category Archives: Cinema, video & DVDs

Profoundly Creative Requiem for a Gumshoe

Posted on November 26, 2022 by barczablog

The body count is higher than any superhero movie. But there’s no CGI, no fancy effects. Your imagination is engaged as never before. It may scare you, seeing so much death and contemplating the end of the world in Eldritch … Continue reading →

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Popular Tchaikovsky at the TSO

Posted on November 24, 2022 by barczablog

Handel speaks from beyond the grave to remind musicians how he helps pay the rent in a meme. Ballet companies owe Tchaikovsky a similar debt, when families flock to the theatre for The Nutcracker. Popularity can be problematic when it … Continue reading →

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Tim Burton’s The Nightmare Before Christmas—In Concert with the TSO

Posted on October 29, 2022 by barczablog

Tonight Erika and I watched The Nightmare Before Christmas shown with the Toronto Symphony playing the score live, conducted by Sarah Hicks at Roy Thomson Hall. As with the 100 Years of Film Music concert we attended earlier this week, … Continue reading →

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100 Years of Epic Film Scores from the TSO

Posted on October 26, 2022 by barczablog

The Toronto Symphony program “100 Years of Epic Film Scores” is a kind of history lesson, while celebrating the role music has played in film for over a century. The significance of the century comes from it being TSO’s 100th … Continue reading →

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Provocative TSO program: a glimpse of Gimeno

Posted on October 5, 2022 by barczablog

It’s fun getting to know the new music director of the Toronto Symphony, Gustavo Gimeno. I’m excited both by the programming and the performances. Assembling concerts involves a curating process, picking & choosing pieces for performance. Forgive me for repeating … Continue reading →

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Sarah Polley – Run Towards the Danger

Posted on October 4, 2022 by barczablog

I have just finished reading Sarah Polley’s Run Towards the Danger, a book like none I’ve ever read before. It might be the most authentic autobiography I’ve ever encountered. Except that it’s not an autobiography. I notice too that while … Continue reading →

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The Palace Papers: forbidden pleasures with Tina Brown

Posted on September 16, 2022 by barczablog

I find myself conflicted. I am not a royalist but I do admire Elizabeth. Tina Brown’s book The Palace Papers is brilliantly timed. Don Lemon mentioned her book during CNN’s coverage of Elizabeth’s passing and Charles ascension to the throne. … Continue reading →

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Sarah Polley & Terry Gilliam, The Torturer’s Apprentice

Posted on August 31, 2022 by barczablog

Violence is everywhere these days. Excuse me for stating the obvious. I’ve recently seen an adaptation of Shakespeare’s Titus Andronicus that plays with our imaginations, encouraging us to feel for the people getting hurt in the play. Sometimes it’s much … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Psychology and perception | Tagged , , , , , , , , , | 1 Comment

Who’s Afraid of Titus? Sky Gilbert isn’t.

Posted on August 10, 2022 by barczablog

The title Who’s Afraid of Titus? has at least three meanings I can see. 1: Performers who fear that audiences won’t come see an unfamiliar play. 2: Professors (Shakespeare theorists) confused by a play that doesn’t fit the usual template. … Continue reading →

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Thinking of Diefenbaker for Canada Day

Posted on July 1, 2022 by barczablog

A good performance can change how you understand a piece. I stumbled upon a YouTube recording that I keep listening to over and over, a piece I thought I knew. There are two contrasting tenor arias in Mendelssohn’s oratorio Elijah. … Continue reading →

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