Monthly Archives: July 2022

Immortal Glenn Gould

Posted on July 29, 2022 by barczablog

I want to write something about Glenn Gould. Who is he, what is his legacy in 2022? I’m thinking about what GG means to me as I anticipate Tapestry Opera’s premiere of Gould’s Wall, a new site-specific opera opening August … Continue reading →

Posted in Art, Architecture & Design, Books & Literature, Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , , , , , , , | Leave a comment

Rebuilding Janise: Andrew Smith’s labour of love

Posted on July 24, 2022 by barczablog

The cover picture is a disturbing metaphor for its subject. In 1992 Andrew and Janise were married. This poem “What Once Was”, is by Andrew Smith, posted in July 2022 on Facebook. what once was; is so long ago.two fools, … Continue reading →

Posted in Books & Literature, Food, Health and Nutrition, My mother, Personal ruminations & essays, Psychology and perception, Reviews | Tagged , , , | 1 Comment

Scary Dead Broke

Posted on July 11, 2022 by barczablog

I saw Will King’s darkly comic Dead Broke today at the Toronto Fringe. I was blown away by King’s first play From the Water in December 2018, amazingly good for a first play. This one is better, unfolding in a … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , , , | Leave a comment

Thinking of Diefenbaker for Canada Day

Posted on July 1, 2022 by barczablog

A good performance can change how you understand a piece. I stumbled upon a YouTube recording that I keep listening to over and over, a piece I thought I knew. There are two contrasting tenor arias in Mendelssohn’s oratorio Elijah. … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera, Spirituality & Religion | Tagged , , , , , , | Leave a comment