Monthly Archives: August 2018

Yiddish Glory: The Lost Songs of World War II

Posted on August 29, 2018 by barczablog

Tonight was the opening night concert of the 2018 Ashkenaz Festival at Koerner Hall, an unforgettable evening of Yiddish culture titled “Yiddish Glory: The Lost Songs of World War II”. For awhile Soviet scholars worked to assemble an archive of … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Politics, Popular music & culture, Spirituality & Religion, University life | Tagged , , , , | 2 Comments

Kent Monkman—Miss Chief’s Praying Hands

Posted on August 23, 2018 by barczablog

Kent Monkman is back.  The show at Project Gallery is only on until September 1st, so see it while you can.   In 2017 “Shame and Prejudice: A Story of Resilience” was one of the highlights of the year.  This time it’s … Continue reading →

Posted in Art, Architecture & Design, Personal ruminations & essays, Politics, Reviews | Tagged , | 1 Comment

Exploring: Liszt and the Symphonic Poem

Posted on August 22, 2018 by barczablog

Serendipity leads me in my choices at the library. Sometimes I get lucky. There is so much more to Liszt than his abilities as a pianist, or his virtuoso compositions for piano such as the Hungarian Rhapsodies. Did you first … Continue reading →

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Winterreise at Lula Lounge

Posted on August 21, 2018 by barczablog

On Wednesday, September 5, Tongue In Cheek Productions enters Toronto’s already-vibrant classical music scene with what promises to be an unforgettable inaugural concert. Twenty-four basses and baritones will join forces at Lula Lounge for a performance of Winterreise, Schubert’s iconic … Continue reading →

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Wolastoqiyik Lintuwakonawa (Our Maliseets Songs) from Jeremy Dutcher

Posted on August 17, 2018 by barczablog

I’ve been listening to Jeremy Dutcher’s debut CD, Wolastoqiyik Lintuwakonawa. When I googled to try to find out what that means, the phrase “Our Maliseets Songs” came up. Wikipedia tells me that “The Wolastoqiyik, or Maliseet are an Algonquian-speaking First … Continue reading →

Posted in Music and musicology, Opera, Spirituality & Religion | Tagged , , , | 3 Comments

To re-purpose

Posted on August 12, 2018 by barczablog

The word is in my head after The Death of Stalin. Iannucci’s film takes music and uses it in new ways. Whether we’re talking about John Hughes, Stanley Kubrick or your organist at church, the re-use of an existing piece … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Popular music & culture | Tagged , , , , , , , , , , , , | Leave a comment

The pain I felt reading Kathleen Turner’s interview

Posted on August 12, 2018 by barczablog

There’s a great deal in Kathleen Turner’s fascinating recent interview with David Marchese.  So naturally if you’re a beautiful actress people will react, comment, and draw their own conclusions about what’s really important. I find it desperately sad when I see what … Continue reading →

Posted in Cinema, video & DVDs, Food, Health and Nutrition, Personal ruminations & essays, Popular music & culture, Psychology and perception | Tagged , , | 4 Comments

The Death of Stalin

Posted on August 11, 2018 by barczablog

It was promoted as a comedy. That reminds me of a joke I heard years ago. Stalin is addressing the Supreme Soviet, speaking and suddenly: a sneeze is heard. Stalin stops speaking, and asks sternly “who snyeeezed?” (my friend who … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Politics, Popular music & culture, Reviews | Tagged , , , , , | 2 Comments

Sabbatical

Posted on August 8, 2018 by barczablog

I’m taking a break from teaching for 2018-2019, while I focus on other projects. In past years I’ve taught introductory film music and opera courses at the School of Continuing Studies.  The blog will continue but for this year I’m … Continue reading →

Posted in Personal ruminations & essays | Tagged , , , , | 2 Comments

Escape from wartime reflections

Posted on August 1, 2018 by barczablog

Tonight’s installment of the Toronto Summer Music Festival might seem to have ignored their theme of “Reflections of Wartime”. The only real battle in Walter Hall was for our hearts, a friendly popularity contest between Angela Cheng and Alvin Chow. … Continue reading →

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