Monthly Archives: October 2012

The Gehry-Mirvish Legacy will not be outsourced culture

Posted on October 7, 2012 by barczablog

It’s counter-intuitive for Torontonians.  We’ve become a bit shell-shocked with all the new condos.  More condos must be bad. Someone knocking down a theatre? surely a bad person. If anyone in Toronto has the right to knock down a theatre … Continue reading →

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Fledermaus: just like our century

Posted on October 5, 2012 by barczablog

No matter how well they may sing, Johann Strauss Jr’s operetta Die Fledermaus requires its singers to act.  Although the music may be irresistible, I haven’t fully surrendered to any of the Fledermice I’ve seen.  No wonder it was usually … Continue reading →

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10 Questions for Arthur Wenk

Posted on October 4, 2012 by barczablog

Arthur Wenk is so multi-faceted he’s what would once have been called a Renaissance Man. I wrote about Wenk earlier this year in connection with the sesquicentennial of the birth of Claude Debussy: because among so many other achievements, Wenk … Continue reading →

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Safe asset: Kaffe Fassett

Posted on October 3, 2012 by barczablog

Today I escaped from the urban rat race in the company of hundreds of fans of designer Kaffe Fassett.  We’d gone where the GPS won’t go, somewhere in the vicinity of Brantford Ontario. Fassett is the Mick Jagger of the … Continue reading →

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Ten Questions for Alex Pauk

Posted on October 2, 2012 by barczablog

Alex Pauk is an artistic activist, a composer, a conductor, driving force behind many commissions for other Canadian composers,  and the Founding Music Director & Conductor of the Esprit Orchestra, an ensemble embarking upon their 30th Anniversary Season with a … Continue reading →

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