Tag Archives: Ambur Braid

Salome returns to tumultuous welcome

Posted on February 4, 2023 by barczablog

The Canadian Opera Company’s co-production of Richard Strauss’s Salome returned last night in the first of seven performances to huge applause. It’s a star vehicle for Ambur Braid in the title role, a wonderful first outing for Michael Schade as … Continue reading →

Posted in Reviews, Cinema, video & DVDs, Opera, Dance, theatre & musicals | Tagged , , , , , , , , | Leave a comment

A closer look at Hadrian

Posted on October 28, 2018 by barczablog

Today was the closing performance of Hadrian, the new opera by Rufus Wainwright and Daniel MacIvor, presented by the Canadian Opera Company at the Four Seasons Centre. After tonight’s display of healthy nearly-naked male bodies in a homosexual love story, … Continue reading →

Posted in Music and musicology, Opera, Politics, Reviews | Tagged , , , , , , , , , , | 1 Comment

Rufus Wainwright’s Hadrian

Posted on October 14, 2018 by barczablog

Tonight I saw the world premiere of Hadrian, an opera commissioned by the Canadian Opera Company with libretto by Daniel MacIvor, music composed by Rufus Wainwright, directed by Peter Hinton and conducted by Johannes Debus. There are some wonderful performances, … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , | 2 Comments

Opera Atelier Abduction from the Seraglio

Posted on October 25, 2013 by barczablog

I had a wonderful time at the dress rehearsal for Opera Atelier’s new Abduction from the Seraglio.  It’s a remount but as usual they probed more deeply this time, accentuating the comic elements of the work.  Anyone who’s seen this … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , | Leave a comment

Coming of Age Stories

Posted on April 5, 2013 by barczablog

With the passage of time, people get older.  The battles that consumed them in their youth are set aside, as they seek stability and begin to contemplate their legacy.  In that gradual coming into focus, frivolity falls by the wayside … Continue reading →

Posted in Reviews | Tagged , , , , , , , , , | 1 Comment

10 Questions for Ambur Braid

Posted on March 9, 2013 by barczablog

Ambur Braid may have a catchy name, but the reason you remember it is because of what she does with her opportunities. The voice gets mentioned almost in passing (a secure dramatic coloratura that allows her to undertake challenging roles … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , , | 1 Comment

Ten Questions for Christopher Enns

Posted on January 25, 2013 by barczablog

Born in Manitoba, tenor Christopher Enns is in his final season with the Canadian Opera Company Ensemble Studio. He made his COC debut as an American/Glass Maker/Strolling Player in Death in Venice.   Enns was one of the strengths of the … Continue reading →

Posted in Interviews | Tagged , , , , , , , | 4 Comments

Creative ecology

Posted on January 19, 2013 by barczablog

As I examined the choices for music in a play, I thought of a great scene in a film.  Now I am not talking about the music in that film, oh no.  I am talking about that classic scene in … Continue reading →

Posted in Personal ruminations & essays | Tagged , , , , , , , , | Leave a comment

Second At Bat

Posted on October 13, 2012 by barczablog

I raved about the new Canadian Opera Company Die Fledermaus when it opened last week.  Tonight I had the privilege of another look with a slightly different cast. Some things inevitably work best the first time.  A joke with a … Continue reading →

Posted in Reviews | Tagged , , , , , , , , | 2 Comments

Fledermaus: just like our century

Posted on October 5, 2012 by barczablog

No matter how well they may sing, Johann Strauss Jr’s operetta Die Fledermaus requires its singers to act.  Although the music may be irresistible, I haven’t fully surrendered to any of the Fledermice I’ve seen.  No wonder it was usually … Continue reading →

Posted in Reviews | Tagged , , , , , | 3 Comments