Author Archives: barczablog

Beethoven, Nielsen and Mozart: TSO & Jan Lisiecki

Posted on November 23, 2014 by barczablog

Tonight was the last of the mini-festival of three programs / five concerts from the Toronto Symphony ostensibly featuring the music of Carl Nielsen & two of his big influences, namely Mozart & Beethoven. It’s as though there were two … Continue reading →

Posted in Music and musicology, Reviews | Leave a comment

Maghan McPhee: Portrait

Posted on November 22, 2014 by barczablog

I missed seeing Carmen on Tap last summer, a version of Bizet’s masterpiece seen around the province (including Toronto) last summer. If I’d known that Maghan McPhee was in the show I would have made more of an effort to … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , | 3 Comments

Social media and performance: bane or boon?

Posted on November 19, 2014 by barczablog

To tweet or not to tweet: that is the question. Saturday night at the Tapestry Briefs performance, Artistic Director Michael Mori invited the audience to employ social media, to post to Facebook or to tweet.  He even gave us the … Continue reading →

Posted in Opera, Popular music & culture | 8 Comments

Cinematic Music- How We Hear Film: a course at the Royal Conservatory

Posted on November 18, 2014 by barczablog

I’m teaching a course at the Royal Conservatory of Music called “Cinematic Music- How We Hear Film” (register here). There are many ways to teach the history of film. Do you see directors as the key to understanding cinema? Then … Continue reading →

Posted in Music and musicology | Leave a comment

Tapestry Briefs: Booster Shots

Posted on November 16, 2014 by barczablog

I took in Tapestry Opera’s latest experimental workshop “Tapestry Briefs: Booster Shots”. The title plays on a few influences: Because Tapestry lives in the so-called “Distillery District” we’re in a realm of booze, so it makes sense to be thinking … Continue reading →

Posted in Music and musicology, Opera, Reviews | 2 Comments

Soundstreams and Canadian Stage collaborating on Philippe Boesmans’ Julie

Posted on November 15, 2014 by barczablog

Canadian Stage have already shown a willingness to venture into different disciplines, bringing great artists such as Crystal Pite and Robert Lepage to Toronto to broaden the experience of the CanStage audience under Matthew Jocelyn’s leadership. Soundstreams and Canadian Stage have … Continue reading →

Posted in Dance, theatre & musicals, Opera, Press Releases and Announcements | 2 Comments

Ambitious Extensions of Us

Posted on November 14, 2014 by barczablog

This is one of those crazy weeks when it’s difficult to know what to see. I’m missing the opening concerts of Jan Lisiecki’s mini-festival with the Toronto Symphony, a gala concert from Aprile Millo and the opening of Tapestry Briefs: … Continue reading →

Posted in Music and musicology, Reviews | 2 Comments

Stewart Goodyear and Czerny’s four boxes

Posted on November 13, 2014 by barczablog

Do you read liner notes?  I always begin to do so.  If there’s something of substance, not only do I read them but I cherish them, making them part of the big conversation that is the work of art.  Nothing … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Personal ruminations & essays, Popular music & culture | Leave a comment

Gerald Finley on the shelf

Posted on November 11, 2014 by barczablog

It’s November. October was Gerald Finley month in Toronto, as his Falstaff jumped up on the table that was our collective experience (and for the final scene of the opera). Don’t let the headline (“Finley on the shelf”) scare you, … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Reviews | 1 Comment

10 Questions for Jan Lisiecki 

Posted on November 8, 2014 by barczablog

This month the Toronto Symphony has a festival of five concerts between November 12th and 22nd, featuring Danish conductor Thomas Dausgaard and young Canadian pianist Jan Lisiecki commemorating Carl Nielsen’s 150th birthday, presented alongside the three final piano concerti of … Continue reading →

Posted in Interviews, Music and musicology | 1 Comment