Tag Archives: Tafelmusik

Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

A Tafelmusik Christmas

Posted on November 26, 2021 by barczablog

Do you remember how, at the end of It’s a Wonderful Life (that great film encouraging us to be grateful, to appreciate what we have): George Bailey celebrates and appreciates a return to normalcy after the end of his nightmare? … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Personal ruminations & essays, Reviews, Spirituality & Religion | Tagged , , , , , | Leave a comment

10 Questions for Rufus Müller

Posted on April 15, 2013 by barczablog

Rufus Müller was acclaimed by The New York Times following a performance in Carnegie Hall as “…easily the best tenor I have heard in a live Messiah.”  The British/German tenor is celebrated as the Evangelist in Bach’s Passions,  and his … Continue reading →

Posted in Interviews | Tagged , , , , , , | 4 Comments

No costume necessary

Posted on December 20, 2012 by barczablog

Tonight I witnessed the first of Tafelmusik’s annual presentations of Händel’s Messiah at Koerner Hall, being presented nightly until the 22nd, followed by the annual singalong Messiah on the afternoon of the 23rd at Massey Hall. The four at Koerner … Continue reading →

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Summer

Posted on June 30, 2012 by barczablog

When did music begin to imitate its subject, begin to be ambitious about signifying?  Is Mozart’s gentle rococo tuba mirum (so understated compared to Verdi’s dies irae or Mahler’s resurrection in his 2nd Symphony) an attempt to show us what … Continue reading →

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The Promised Land

Posted on May 27, 2012 by barczablog

Thank you Tafelmusik.  What took you so long? Tonight I heard Tafelmusik Baroque Orchestra and Chamber Choir venture boldly into the 19th century, sounding very much like they belong there.  The program on this occasion consisted of Beethoven’s “Eroica” and … Continue reading →

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10 Questions for Jeannette Lajeunesse Zingg

Posted on March 31, 2012 by barczablog

Canadian dancer and choreographer Jeannette Lajeunesse Zingg has performed internationally in classical ballet, modern dance and national/historical dance.  Her training took place at The Royal Academy of Dancing in London, England and in Copenhagen, Denmark. Jeannette Lajeunesse Zingg, with Marshall … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , | 1 Comment

Herculean

Posted on January 20, 2012 by barczablog

Tonight’s premiere of Tafelmusik’s semi-staged version of Handel’s Hercules was dramatic in more ways than one. We came to honour Jeanne Lamon, to celebrate her thirty years leading the baroque orchestra.  While it was a commemoration of past achievements in … Continue reading →

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A new Messiah

Posted on December 12, 2010 by barczablog

It might seem to be a conundrum worthy of a religious scholar: how do we know the real Messiah?  And even though we’re not speaking of a saviour but rather about Handel’s oratorio, the topic may as well be a … Continue reading →

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