Category Archives: Music and musicology

Macbeth closing performance: women have it harder

Posted on May 21, 2023 by barczablog

Three weeks ago I reviewed the powerful opening night of the new Sir David McVicar production of Verdi’s Macbeth from the Canadian Opera Company. Today I came full circle watching the last show of the run including exciting changes in … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , , | Leave a comment

Gimeno Conducts Messiaen’s Epic Turangalila

Posted on May 5, 2023 by barczablog

Roy Thomson Hall was quite full tonight for the first of two Toronto Symphony concerts undertaking Olivier Messiaen’s Turangalila-Symphonie. But for such an event one wants a full house. The response from the audience was as rapturous as the music … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , | Leave a comment

Spring Renewal: Scarborough Philharmonic with Ventanas

Posted on April 25, 2023 by barczablog

If it seems as though spring has suddenly come back, thank Scarborough Philharmonic and Ventanas for their concert “Spring Renewal” on April 22nd. The first half featured popular classical pieces. We began with Rossini’s Silken Ladder overture, followed by Vivaldi’s … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Reviews | Tagged , , , , , , , , , , , , | Leave a comment

Bud Roach’s provocative new recording Affetti Amorosi

Posted on April 22, 2023 by barczablog

Although I listened twice through to Affetti Amorosi, Bud Roach’s new CD of 17th century songs in his light tenor voice accompanying himself on the theorbo, I took a break for holy week as I turned to his other recent … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology | Tagged , , , , , , , | Leave a comment

Philadelphia pairs from Jonathan Demme

Posted on April 14, 2023 by barczablog

We watched Philadelphia (1993) last night for the first time in awhile. I’m just writing this to call attention to a pattern I think I’ve observed in the work of director Jonathan Demme. I haven’t seen all of his films, … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology | Tagged , , , , , , , , , , | Leave a comment

Worship in a Time of Plague: Capella Intima and the Gallery Players of Niagara

Posted on April 5, 2023 by barczablog

Worship in a Time of Plague is a recording project by Capella Intima and the Gallery Players of Niagara. The title seems especially fitting for Holy Week in 2023, three years into our own pandemic. The scholarly side of the … Continue reading →

Posted in Music and musicology | Tagged , , , , , , , , , , , , , , , , , , | 1 Comment

Visions of Spain, Glimpses of Gimeno

Posted on April 3, 2023 by barczablog

This past week’s Toronto Symphony concert offering “Visions of Spain” also gave a few interesting perspectives on their new Spanish-born music director Gustavo Gimeno. After two rather obscure pieces before intermission, we proceeded to three of the most well-known pieces … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , , , , , | Leave a comment

Mass in B minor from Toronto Mendelssohn Choir

Posted on March 29, 2023 by barczablog

Last night’s performance of the Bach B minor Mass by the Toronto Mendelssohn Choir at Koerner Hall with a baroque orchestra led by their new artistic director Jean-Sébastien Vallée has put us on notice, that maybe Toronto Mendelssohn Choir are … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , | Leave a comment

Gimeno conducts Beethoven 5

Posted on March 23, 2023 by barczablog

Wednesday night was the latest example of the remarkable chemistry we see, hear and feel between the Toronto Symphony and their new music director Gustavo Gimeno, continuing the magic of their 100th anniversary season. Last night’s program included Madrigal: Celebration … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , , | 2 Comments

Opera York’s Magic Flute

Posted on March 6, 2023 by barczablog

It was worth the drive to Richmond Hill yesterday to see Opera York’s production of The Magic Flute, their first in-person return to the stage since the pandemic. While Friday night’s snow-storm likely reduced attendance, Sunday’s matinee was sold out. … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , | 1 Comment