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Category Archives: Music and musicology
Gimeno conducts Beethoven 5
Wednesday night was the latest example of the remarkable chemistry we see, hear and feel between the Toronto Symphony and their new music director Gustavo Gimeno, continuing the magic of their 100th anniversary season. Last night’s program included Madrigal: Celebration … Continue reading
Opera York’s Magic Flute
It was worth the drive to Richmond Hill yesterday to see Opera York’s production of The Magic Flute, their first in-person return to the stage since the pandemic. While Friday night’s snow-storm likely reduced attendance, Sunday’s matinee was sold out. … Continue reading
Colin Eatock’s Birthday concert
No there was no cake or champagne but I’m watching my weight and can’t drive home to Scarborough if I’ve been drinking. Yet it was truly like a party, a celebration of our host Colin Eatock on the occasion of … Continue reading
NACO Songs for Murdered Sisters
Every year at this time, the Toronto Symphony and National Arts Centre Orchestras visit one another as part of a tour. NACO and Joshua Hopkins brought the cycle Songs for Murdered Sisters by Jake Heggie and Margaret Atwood to Roy … Continue reading
Questions for Colin Eatock at 65
The invitation from Colin Eatock caught my eye: “I’m organizing a concert in Toronto on February 20 (my 65th birthday).The programme will include a new piece by me.Admission is by donation — I hope you can make it!” We’ve seen … Continue reading
TSO – TMC Mozart Requiem: Best Concert of the Year
The headline is only partly in jest. Yes it was the best concert so far in 2023, as of January 11th. Many are still saying “Happy New Year” and writing the wrong date on cheques (if they even write cheques … Continue reading
Posted in Art, Architecture & Design, Music and musicology, Reviews
Tagged Gregorio Allegri, Hildegard von Bingen, Isaiah Bell, Jane Archibald, Jean-Sébastien Vallée, Kevin Deas, Ludwig van Beethoven, Michael Francis, Susan Platts, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Wolfgang Amadeus Mozart
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Best of 2022
I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading
Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera
Tagged Against the Grain Theatre, Alexander Neef, ARC Ensemble, Arkady Spivak, Canadian Opera Company, CERB, Chris Abraham, Conan and the Stone of Kelior, Corey Arnold, Crow's Theatre, Eldritch Theatre, Elisa Citterio, Eric Woolfe, Gay for Pay, Gould's Wall, Gustavo Gimeno, Joel Ivany, Kyle McDonald, Lauren Pearl, Michael Hidetoshi Mori, Nicole Lizée, OCADU, Perryn Leech, RCM, Royal Conservatory of Music, RUR A Torrent of Light, Simon Wynberg, Sweeney Todd, Tafelmusik, Talk is Free Theatre, Tapestry Opera, The Lion Heart, TIFT, Toronto Symphony Orchestra, TSO, Wajdi Mouawad, Yuja Wang
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Gustavo Gimeno’s First TSO-TMC Messiah
The surest sign the city seems to be returning to something like normal, is Handel’s Messiah performed all over. I’m seeing many friends on Facebook either reporting that they’re singing it or feeling left out because so many others are … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Reviews
Tagged Elliot Madore, George Frideric Handel, Gustavo Gimeno, Jean-Sébastien Vallée, Lauren Fagan, Messiah, Michael Colvin, Roy Thomson Hall, Stephanie Wake-Edwards, Toronto Mendelssohn Choir, Toronto Symphony Orchestra
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Mother Sorrow: workshop December 9th
I was privileged to observe an open rehearsal of a new creation titled “Mother Sorrow.” The creative team is large, but I should mention director & choreographer Jennifer Nichols, Composer and music director Adam Scime and librettist (combining new words … Continue reading
Posted in Art, Architecture & Design, Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays
Tagged Adam Scime, Benoit Bolduc, Brayden Cairns, Christian Masucci Facchini, David James Brock, Evelyn Hart, Gabor Mate, Gioachino Rossini, Jarrett Siddall, Jennifer Nichols, Lindsay McIntyre, Marshall Pynkoski, Messiah, Mozart's Requiem, Nicholas McClung, Opera Atelier, Pergolesi, Rodney Diverlus, Stabat Mater, theatre history, Tyler Gledhill
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Popular Tchaikovsky at the TSO
Handel speaks from beyond the grave to remind musicians how he helps pay the rent in a meme. Ballet companies owe Tchaikovsky a similar debt, when families flock to the theatre for The Nutcracker. Popularity can be problematic when it … Continue reading
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