Tag Archives: Bud Roach

First recording of Scarlatti’s first opera

You may know the name “Scarlatti”. Domenico Scarlatti (1685–1757), wrote those fascinating sonatas for keyboard, but he’s not the only Scarlatti by any means. He had an older brother Pietro Scarlatti (1679-1750) who had some success as a composer. Domenico’s father … Continue reading

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Orfeo and the power of music

David Fallis’s tenure as the Artistic Director of the Toronto Consort ended with today’s final concert performance of Monteverdi’s Orfeo, one of the most elaborate presentations I’ve ever seen from this group. Don’t get me wrong. We were still in … Continue reading

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Questions for David Fallis: Toronto Consort & Monteverdi’s Orfeo

When I interviewed David Fallis five and a half years ago concerning a period production of Der Freischütz my first sentence said that he “is surely one of the most important musical minds in Canada,” an assertion that has only gathered weight with … Continue reading

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Talisker Players: Puttin’ on the Ritz

Talisker Players, that inter-disciplinary nexus for music & text, have made another crossover adventure. “Puttin’ On the Ritz” takes us into the world of Irving Berlin, in a series of songs sung by Bud Roach and Whitney O’Hearn. I’d call … Continue reading

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Bud Roach: Arias for Tenor and Baroque Guitar

Every now and then a recording or performance comes along to challenge your assumptions, possibly giving you a new way of seeing things.    I’ve been listening to two Bud Roach CDs: 1-Sospiro: Alessandro Grandi Complete Arias, 1626 (recorded in … Continue reading

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Giasone: Back to the Future

What a weekend.  While I only managed to get to three things in three days (Tap:Ex Friday, Hercules Saturday, and Giasone today) I feel I’ve been to a symposium studying the possibilities for opera.  It’s a happy accident that the … Continue reading

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Gentle Dafne

The Dafne I refer to is not that of Jacopo Peri from 1598, and considered the first opera (for those who might want to make that kind of statement), but Marco da Gagliano’s 1608 setting, also using Ottavio Rinuccini’s libretto. … Continue reading

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