Category Archives: Music and musicology

Dreams and Shadows at TSM

Posted on July 30, 2024 by barczablog

A good pre-concert introduction from the artist can make a big impact. Last night’s Toronto Summer Music Concert by pianist Philip Chiu with violinist & TSM artistic director Jonathan Crow at Walter Hall was sold out. Titled “Dreams and Shadows” … Continue reading →

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Gimeno’s Mahler: reconciling Nietzsche, angels and pantheism

Posted on June 13, 2024 by barczablog

If that headline sounds like a mouthful you should hear Mahler’s 3rd Symphony. I just did tonight at Roy Thomson Hall. The Toronto Symphony led by music director Gustavo Gimeno aided by members of the Mendelssohn Choir, the Toronto Children’s … Continue reading →

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Tafelmusik and Ivars Taurins celebrate Handel

Posted on June 1, 2024 by barczablog

Tafelmusik turned their choral specialist loose for their season-concluding Handel celebration concert. If you have any way of getting to this concert do so, a love-fest centred on Handel and his alter-ego Ivars Taurins. You may know Ivars Taurins for … Continue reading →

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Philip Chiu’s Fables

Posted on May 12, 2024 by barczablog

I have been listening to FABLES, the excellent ATMA CD of piano music by Philip Chiu pairing two piano transcriptions of music by Ravel with Mnidoonskaa (A Multitude of Insects), a 2021 work by Anishinaabekwe composer Barbara Assiginaak. “Fables” makes … Continue reading →

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Prelude to Hope

Posted on April 27, 2024 by barczablog

They began with this artistic manifesto: As a collective of artists working within a creative circle associated with the Scarborough Philharmonic Orchestra, we have asked ourselves how artists can and should respond to the times we live in. Our answer … Continue reading →

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Gimeno and Moussa: Ligeti, Wagner and Strauss’s Don Quixote

Posted on April 5, 2024 by barczablog

Last night’s brilliant concert at Roy Thomson Hall from the Toronto Symphony was improved by the introductory remarks from Music Director Gustavo Gimeno, explaining his unorthodox choices. The concert may have been titled “R Strauss’s Don Quixote” but Gimeno explained … Continue reading →

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Violinissimo II calibrating Esprit at Koerner

Posted on March 29, 2024 by barczablog

Thursday March 28th Esprit Orchestra led by their artistic director and conductor Alex Pauk presented Violinissimo II at Koerner Hall. The program leant heavily on soloist Mark Fewer in a pair of big works, playing solos for over an hour … Continue reading →

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Korngold’s other film-score

Posted on March 26, 2024 by barczablog

On April 7th the ARC Ensemble present a concert “The Viennese in Los Angeles”, a happier title than what they might choose to call it, from composers in exile.  In the promotion for the event we’re told that for the … Continue reading →

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Jerskin Fendrix scores Poor Things

Posted on March 18, 2024 by barczablog

Every year in the aftermath of the Academy Awards I’m left wondering how they do it. Yes I should be in awe of the creations: but I was speaking of the awards process. Why this film and not that one? and … Continue reading →

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Toronto Symphony explores nuances of newness in Stravinsky’s Pulcinella

Posted on February 24, 2024 by barczablog

Tonight Gustavo Gimeno and his Toronto Symphony presented their latest TSO live concert at Roy Thomson Hall, recorded for future release by Harmonia Mundi recording label. We were a well-behaved audience, not making any disruptive noises, like polite voyeurs watching … Continue reading →

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