Tag Archives: Alexander Cappellazzo

Powerhouse Tristan und Isolde

Posted on October 30, 2023 by barczablog

Last night Powerhouse Opera presented an abridged version of Wagner’s Tristan und Isolde at Jeanne Lamon Hall. Powerhouse Opera is a new company begun by soprano Susan Tsagkaris in March 2022, aiming to showcase dramatic / large sized voices with … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , , , | Leave a comment

TOT Pirates

Posted on October 20, 2023 by barczablog

When you’re watching your dog prowling in the back-yard and the phrase “with cat-like tread” pops into your head, you know Gilbert and Sullivan must be on your mind. Of course I knew I was going to attend the Toronto … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | Tagged , , , , , , , , , , | Leave a comment

Apocryphonia: GinasterAmirov

Posted on October 2, 2023 by barczablog

When I interviewed Alex Cappellazzo a few weeks ago I asked: what does “Apocryphonia” mean? But tonight I found myself thinking about another question (and seeing the answer before me), namely what do we understand by “authenticity?” It came up … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , | Leave a comment

Interviewing Alexander Cappellazzo – Apocryphonia and Diapente Renaissance Vocal Quintet

Posted on September 17, 2023 by barczablog

I first encountered Alexander Cappellazzo in the title role of L’Amant anonyme by Joseph Bologne for Voicebox- Opera in Concert back in March of this year, when he sang “a passage in the first scene that contains an obscene number … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | Tagged , , , , , , , , , , | Leave a comment

Apocryphonia: A Cabinet of Curiosities

Posted on May 27, 2023 by barczablog

There’s so much one can say about last night’s Apocryphonia concert “A Cabinet of Curiosities”, but I’ll try to keep it under control. I talked my head off with tenor Alexander Cappellazzo, who is the founder of Apocryphonia and the … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , | Leave a comment

L’Amant anonyme

Posted on March 20, 2023 by barczablog

Voicebox Opera in Concert presented the last performance of their season series dedicated to Mozart and the operas of his time, L’Amant anonyme by Joseph Bologne, Chevalier de Saint-Georges aka Joseph Boulogne, sometimes called “The Black Mozart”. His life story … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , | 2 Comments