Category Archives: Opera

Dame Ethel Smyth: Suffragette

Posted on June 24, 2017 by barczablog

I’ve seen two operas by Dame Ethel Smyth presented tonight by Opera 5 under the heading “Suffragette”. The title feels especially apt for a composer I’d never encountered before, who was not only active in seeking the vote for women … Continue reading →

Posted in Music and musicology, Opera, Reviews | 1 Comment

TSO: a decade’s lessons

Posted on June 15, 2017 by barczablog

The Toronto Symphony’s Decades Project has taken the orchestra and its listeners on a gradual tour through history.  As we’ve progressed forward 10 years at a time we’re less and less able to escape, as more and more we confront … Continue reading →

Posted in Music and musicology, Opera, Reviews | 1 Comment

Christopher Cameron: Dr Bartolo’s Umbrella

Posted on June 3, 2017 by barczablog

This one is different. I’ve encountered memoirs written by artists I’ve respected from afar often created with the help of a ghost-writer. But Chris Cameron’s Dr Bartolo’s Umbrella and Other Tales from my Surprising Operatic Life, perhaps a bit like Chris … Continue reading →

Posted in Books & Literature, Opera, Reviews | 2 Comments

Oksana G review

Posted on May 25, 2017 by barczablog

Tonight was the world premiere of Tapestry Opera’s Oksana G¸ a new full-length opera with music by Aaron Gervais and libretto by Colleen Murphy, stage direction by Tom Diamond and music direction by Jordan de Souza. As an event promoted … Continue reading →

Posted in Opera, Reviews | 2 Comments

Dr. Bartolo’s Umbrella launching May 24th

Posted on May 23, 2017 by barczablog

Introducing Dr Bartolo’s Umbrella: Christopher Cameron’s funny, irreverent, touching memoir of his life as a Canadian opera and concert singer in the 1970s and 80s. His often hilarious stories about performing offer insight into their historical context, plus such arcane facts … Continue reading →

Posted in Opera, Press Releases and Announcements | Leave a comment

Time stands still in Carsen’s middle ground

Posted on May 15, 2017 by barczablog

Every now and then the stars align for something extraordinary.  Yesterday’s final high-definition broadcast from the Metropolitan Opera brought us something unique, with the help of Robert Carsen’s production of Der Rosenkavalier. Carsen has found a niche for himself in … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | 2 Comments

Cavalli’s Elena from Toronto Consort

Posted on May 13, 2017 by barczablog

Francesco Cavalli’s Elena received its Canadian premiere tonight at the Jeanne Lamon Hall in a partially staged performance that was still more than enough to charm the audience in attendance. As my companion observed it was a nerdy bunch, ready … Continue reading →

Posted in Music and musicology, Opera, Reviews | 1 Comment

The Return and its promise

Posted on May 5, 2017 by barczablog

Three performances remain of The Return (il ritorno) at the Bluma Appel Theatre, the last of Canadian Stage’s “Spotlight Australia”, a kind of festival that they’ve offered the past few weeks.  The Return, from Circa appears to be the creation of Yaron Lifschitz, … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | 3 Comments

Questions for Natalya Gennadi – Oksana G.

Posted on May 1, 2017 by barczablog

Ukrainian Canadian soprano Natalya Gennadi was recently announced as a replacement in the title role of Tapestry Opera’s Oksana G, when the original singer had to cancel. Oksana G tells the story of a young Ukrainian woman lured into the … Continue reading →

Posted in Interviews, Opera | Leave a comment

MYOpera + Rossini = the perfect marriage

Posted on April 29, 2017 by barczablog

I like an opera with ambition. Tonight I saw a production with style & wit whose chief ambition was to make us laugh: and it succeeded admirably because it was unafraid of sometimes being totally silly. MYOpera launched their 2017 … Continue reading →

Posted in Opera, Reviews | Leave a comment