Tag Archives: Kseniia Proshina

Another look at Roméo et Juliette as a departure point for reflections on criticism & dramaturgy

Posted on October 19, 2025 by barczablog

This has been a bit of a bewildering week, astonishing contrasts. I repeat my self-fulfilling mantra “I am a lucky guy,” grateful for what I’ve experienced. Wednesday was Opera Atelier’s Magic Flute, Thursday Tapestry Briefs Under Where, Friday was the … Continue reading →

Posted in Dance, theatre & musicals, Essays, Opera, Reviews | Tagged Against the Grain, Amy Lane, Charles Gounod, Colin Ainsworth, criticism, dramaturgy, Eugene Onegin, Hector Berlioz, Holly Chaplin, Kseniia Proshina, Magic Flute, Opera Atelier, Opera Revue, Orfeo ed Euridice, Romeo and Juliet, Tapestry Briefs, testimony | 2 Comments

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments

Tag Archives: Kseniia Proshina

Another look at Roméo et Juliette as a departure point for reflections on criticism & dramaturgy

COC’s highly original Roméo et Juliette

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