Tag Archives: Gordon Bintner

Guth Ideas to save Figaro

Posted on January 29, 2023 by barczablog

The Canadian Opera Company have revived Claus Guth‘s production of Mozart’s The Marriage of Figaro that they presented to us in 2016, this time with a slightly different cast and conductor. The three and a half hours fly by on … Continue reading →

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Magic Flute revival

Posted on May 12, 2022 by barczablog

This is the third time in roughly a decade for the Canadian Opera Company to offer the Diane Paulus Magic Flute, with its meta-theatrical approach employing flamboyant visuals, from set and costume designer Myung Hee Cho. I hope I can … Continue reading →

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A conversation with Doug MacNaughton

Posted on August 16, 2021 by barczablog

Doug MacNaughton is known as much for his acting as for his singing, at home in opera, operetta, music theatre and concert work. As powerful as he sounds in ONE DAY MORE Doug also has the ability to use his … Continue reading →

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Homecoming for Carsen’s Eugene Onegin

Posted on October 1, 2018 by barczablog

Better late than never, the Canadian Opera Company have premiered Robert Carsen’s Eugene Onegin, a production originally premiered at the Metropolitan Opera in 1997. It’s a triumph of Canadian talent on all sides, from the sets & costumes by Michael … Continue reading →

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Last tango in Siviglia

Posted on February 24, 2016 by barczablog

There’s a curious mix of adventure and nostalgia that goes with the annual Canadian Opera Company’s Ensemble Studio performance of one of the season’s operas. After having seen a production with a cast of seasoned professionals, each year we get … Continue reading →

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The end of the beginning

Posted on September 26, 2013 by barczablog

I thought about what to call this, the first free concert of the season from the Canadian Opera Company at the Richard Bradshaw Auditorium: Alpha & Omega? (no… too Biblical) Ave Atque Vale? (no…obscure) Alumni Reunion? (hm….partly) The first program … Continue reading →

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COC Ensemble Studio Competition

Posted on November 30, 2012 by barczablog

As I drove downtown this morning, one track seemed very apt for an evening featuring the Canadian Opera Company’s second annual studio competition. Michael Slattery’s CD of Dowland songs –reimagined to explore his alleged Irish connection—concludes with a melancholy song … Continue reading →

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